2024-03-29T14:23:16Z
https://journals.us.edu.pl/index.php/NoZ/oai
oai:ojs.www.journals.us.edu.pl:article/6733
2021-05-20T09:41:54Z
NoZ:ST
Title pages
Strony tytułowe
NoZ, Redakcja
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
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https://journals.us.edu.pl/index.php/NoZ/article/view/6733
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 1-2
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 1-2
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6733/4848
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6734
2021-05-20T09:41:54Z
NoZ:SPT
Contents
Spis treści
NoZ, Redakcja
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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https://journals.us.edu.pl/index.php/NoZ/article/view/6734
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 3-5
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 3-5
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6734/4849
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6735
2021-07-12T22:36:00Z
NoZ:W
Narrations of the Shoah. An Opening
Narracje o Zagładzie. Otwarcie
Wolski, Paweł
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6735
10.31261/NoZ.2015.01.01
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 7-12
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 7-12
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6735/4850
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6736
2021-07-12T22:35:59Z
NoZ:KZ
“I Am Not in a Hurry to Complete the Canon.” Professor David G. Roskies, a Co-author of Holocaust Literature. A History and Guide, in Conversation with Paweł Wolski
„Nie spieszy mi się domykać kanon”. Rozmowa z Profesorem Davidem G. Roskiesem, współautorem książki Holocaust Literature. A History and Guide
Roskies, David G.
Wolski, Paweł
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6736
10.31261/NoZ.2015.01.02
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 15-30
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 15-30
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6736/4851
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6737
2021-07-12T22:35:58Z
NoZ:KZ
The Shoah, Postmodernism, the Canon and Popular Culture
Zagłada, postmodernizm, kanon i literatura popularna
Dąbrowski, Bartosz
The Shoah, postmodernism, the canon and popular culture
In the article the author asks a question about the reasons for the absence of postmodern and popular literature in the prose canon of the Shoah. He sees the cause of this state of affairs in the historical conditions of the literature of the Shoah, in the ethically and moralistically oriented reading of its texts and in the problems of this prose associated with the categories of fiction and fictionality. According to the author, the “exclusion” of postmodern and popular prose in the canon and its distance toward these phenomena results from the concern about the excess of textuality which is peculiar to these literary forms. Another reason is associated with the perspective, historically determined in the Polish context, of understanding postmodernism as an ahistorical trend – contrary to the classical views of Linda Hutcheon, Amy Elias or Paula Crosthwaite, who emphasise the state of being “possessed by history”, typical for this formation, which according to the researchers brings about a far‑reaching transformation of the perception of historicity and the attitude of literature toward the trauma. As a result, the postmodern answer to the trauma of the past makes a recourse to the repertory of different literary means and it (usually) engages the Shoah from the perspective of a temporal and generational distance. In a similar manner the author attempts to demonstrate, on the basis of a crime novel by Zygmunt Miłoszewski, Ziarno prawdy (2011), how Polish memory about the Shoah is reflected in popular literature, being a reflection of the collective mechanism of repression, processing and answering to the trauma of the past.
Key words: Holocaust, postmodernism, canon, crime novel, trauma, postmemory
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6737
10.31261/NoZ.2015.01.03
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 31-45
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 31-45
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6737/4852
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6738
2021-07-12T22:35:57Z
NoZ:KZ
The Attitude of Hungarian Literature toward the Shoah. The Problems Concerning the Canon
Literatura węgierska wobec Zagłady. Wokół kanonu
Piotrowiak‑Junkiert, Kinga
The attitude of Hungarian literature toward the Shoah. The problems concerning the canon
The text presents a number of the most important figures of the landscape of Hungarian literature devoted to the theme of the Shoah, among others S. Márai, M. Radnóti, J. Pilinszky,F. Sánta, who faced the problems of memory, the torments of war and the experience of the “Jewish condition”. Each of the subsequent generations of writers engaged the subject of the Shoah in different ways, changing the conventions or the stylistic or genre‑related resources, owing to which there emerged an extremely abundant literary material, varied as far as the form, volume, language, artistic freedom and references to the works which constitute the canon of writings devoted to this subject are concerned. One of the formal solutions which are unique on a world scale is the phenomenon of de‑tabooisation, of choosing genres which are incongruous with the rules of aesthetic bienséance (irony, the grotesque, surrealism), whose presence is testimony to the lack of the presence of the Shoah in the social discourse and to a desire to restore it to its rightful place in the context of literary experiments which provoke but which also demand to be perceived and solved.
Key words: Hungary, genocide, canon, Jewish literature in Hungary
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6738
10.31261/NoZ.2015.01.04
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 46-61
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 46-61
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6738/4853
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6739
2021-07-12T22:35:55Z
NoZ:KZ
Always a Fragment. On Polish Literary Studies and its Canon (of the Shoah)
Zawsze fragment. O polskim literaturoznawstwie i jego kanonie (Zagłady)
Wolski, Paweł
Always a fragment. On Polish literary studies and its canon (of the Shoah)The author considers the status of the canon of Holocaust literary studies. Based on Jan and Aleida Assmanns’ well known thesis he proposes to consider this kind of writing as an Encyclopedia – a cumulative reading list of literary studies works considered canonical, and, on the other hand, as a Method, i.e. a model mechanism of creating an analysis and exegesis of the Holocaust writing. The author concludes that despite numerous attempts there is a dominance of canons which fall within the sphere of the first category whereas the second one still awaits fruition. According to the author, a crucial element of the latter would be to define the specific relation between a scholar and the object of his or her research as a particular feature of Holocaust literature and its theory.
Key words: Holocaust, literary (meta)criticism, canon
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6739
10.31261/NoZ.2015.01.05
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 62-74
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 62-74
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6739/4854
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6740
2021-07-12T22:35:55Z
NoZ:KZ
“Narration Is the Persistent Shadow of Existence.” Some Remarks about the Canon of the Shoah in the Most Recent Literary Works
„Opowiadanie jest stałym bytu cieniem”. Kilka uwag o kanonie Zagłady w literaturze najnowszej
Tomczok, Marta
“Narration is the persistent shadow of existence”. Some remarks about the canon of the Shoah in the most recent literary worksOn the basis of abundant short‑story and novelistic material the author presents the formation of the contemporary canon of the Shoah. According to Marta Tomczok, the domination of the short story over the novelistic form constitutes a result of the dialogue of generations and its influence upon the narrative situation of the prose by Agnieszka Kłos, Sylwia Chutnik or Magdalena Tulli. And in a deeper sense, which is discernible in Czarne sezony by Michał Głowiński, it involves a departure from the fictionalisation of the Shoah in favour of an autobiographical and memoir reflection. The author perceives the causes of such a state of affairs in the influence of Sąsiedzi by Jan Tomasz Gross upon Polish literature after 2000, and the rhetoric of cruelty, which is more and more discernible in it, as well as in the separation of the historiographical and the narrative discourses, which according to the author, influence each other in the case of the contemporary narrations about the Shoah, above all in the sphere of the popular novel.
Key words: canon, narration, Holocaust, story, novel
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6740
10.31261/NoZ.2015.01.06
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 75-95
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 75-95
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6740/4855
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6741
2021-07-12T22:35:54Z
NoZ:KZ
The Necessity of a Trace. Canons of Children and Teenagers’ Literature
Konieczność śladu. Kanony literatury dla dzieci i młodzieży
Wójcik‑Dudek, Małgorzata
The necessity of a trace. Canons of children and teenagers’ literature
The article is an attempt to characterize the school canon of required readings concerning the Holocaust, as well as other books dedicated to the youngest readers. The author analyses the records of core curriculum and inspects books for children which were written in the first decade of the 21st century. In these recommended readings she notices a mechanism of creating the post‑memory of young readers’ generation, which shape corresponds to the contemporary reflection on the Holocaust, undergoing constant changes which are a result of appearances of still new contexts. The researcher considers a trace to be a superior category which enables forming of contemporary remembering matrices. For the same reason the author pays special attention to this motive while analysing the chosen texts. It results in the conclusion that the presence of a trace generates nostalgia, which in turn leads to the feeling of loss, a category without which it would be difficult to imagine contemporary texts on the Holocaust for children.
Key words: Holocaust, Children and Youths’ Literature, canon of required readings, loss
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6741
10.31261/NoZ.2015.01.07
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 96-116
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 96-116
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6741/4856
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6742
2021-07-12T22:35:53Z
NoZ:P
Letters and Poems (translated into Polish by Piotr Fast and Marian Kisiel)
Listy i wiersze (tłumaczenie: Piotr Fast, Marian Kisiel)
Bart, Sołomon
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6742
10.31261/NoZ.2015.01.08
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 119-128
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 119-128
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6742/4857
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6743
2021-07-12T22:35:52Z
NoZ:P
One Day in a Concentration Camp (Excerpts from The SS State) (translated into Polish by Magdalena Sacha)
Dzień w obozie koncentracyjnym (fragmenty Państwa SS) (tłumaczenie Magdalena Sacha)
Kogon, Eugen
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6743
10.31261/NoZ.2015.01.09
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 129-138
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 129-138
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6743/4858
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6744
2021-07-12T22:35:51Z
NoZ:RN
“Writing Is Immoral in Its Essence.” Michał Głowiński in Conversation with Marta Tomczok and Paweł Wolski on Narration and the Shoah
„Pisanie jest ze swej natury niemoralne”. O narracji i Zagładzie z Michałem Głowińskim rozmawiają Marta Tomczok i Paweł Wolski
Głowiński, Michał
Tomczok, Marta
Wolski, Paweł
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6744
10.31261/NoZ.2015.01.10
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 141-160
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 141-160
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6744/4859
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6745
2021-07-12T22:35:51Z
NoZ:AR
The Garden of Life and the Garden of Death – Two Instances of Existence in a Camp. Eden vs. Auschwitz
Ogród życia i ogród śmierci – dwie egzystencje w obozie. Eden kontra Auschwitz
Kłos, Agnieszka
The garden of life and the garden of death – two instances of existence in a camp Eden vs. Auschwitz
In her article the author describes the ways in which the prisoners of the Sonderkommando KL Auschwitz‑Birkenau experienced the space of the camp. The form of perceiving and describing the camp forces one to submit to the conditioning of the description by two interrelated topoi. The imagined garden of life and the garden of death, i.e. two areas which were experienced by the prisoners in the camp and which were traversed by them during their work, inspired in those prisoners a feeling of awe, of transgressing a taboo and of embracing the structure of a myth. The text indicates the factors which in the memories constitute the narration about the living and the dead areas of the camp, and which are an interesting instance of creating a memory about this place. Recycling the elements of life and death, the mixing of the categories of the living and the dead which attracts the attention of the reader of the memoirs of the former prisoners and of the one who engages in a conversation with them. An important role in the formation of these concepts is also played by the visual iconography which is analysed by the author (photographs taken in the camp, sketches and drawings made by the former prisoners). In the text an attempt was made to reproduce the structure of the extreme experiences of the prisoners of the Sonderkommando, by researching the particular elements of their accounts which refer to various recurrent themes such as the pure – impure opposition, the images of the bodies which fall out from the gas chamber, gassing people, the “dead area” (graves and post‑incineration pits), nakedness and the camp trees as the permanent reference points which recur in the recollections of the prisoners.
Key words: Auschwitz, Sonderkommando, gas chamber, nature
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6745
10.31261/NoZ.2015.01.11
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 163-188
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 163-188
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6745/4860
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6746
2021-07-12T22:35:50Z
NoZ:AR
“Each Poet Is a Jew with a Yellow Patch.” Two Voices about Woroszylski’s Vision of Baczyński
„Poeta każdy to z żółtą łatą na sercu Żyd”. Dwa głosy o Baczyńskim Woroszylskiego
Jarzyna, Anita
Kuczyńska‑Koschany, Katarzyna
“Each poet is a Jew with a yellow patch”. Two voices about Woroszylski’s vision of Baczyński
The article is a multicontextual interpretation of a poem by Wiktor Woroszylski entitled Krzysztof Kamil B., which was published for the first time in the 1988 volume entitled W poszukiwaniu utraconego ciepła i inne wiersze. The work indicates one of the most distinguished Polish poets of the war generation, Krzysztof Kamil Baczyński, who died at the age of twenty‑three during the Warsaw Uprising. The poem by Woroszylski who was six years his junior has to do with the controversial question about the Jewish roots of the author of Elegia o chłopcu polskim (his mother, Stefania Baczyńska, had a Jewish background and was an assimilated, Catholic convert). The article firstly refers to various studies upon this subject which were initiated in 1979 by Józef Lewandowski’s essay. The studies were then engaged by a number of researchers and critics in the last decade of the 20th c. and at the beginning of the 21st c. They deliberate among other things whether this fact of the poet’s biography actually influenced his works. The authors demonstrate the manner in which Woroszylski reveals and at the same time nullifies the anti‑Semitic overtones which such speculations feature, the attempts at a more or less categorical determination of someone’s national affiliation. For an important context for the interpretation of the poem Krzysztof Kamil B. is furnished by its motto – an initial phrase of a famous statement by Marina Tsvetaeva, whose culminating point that “all poets are Jews” is placed by Woroszylski at the very end of his work, where he paraphrases these words.
Key words: antisemitism, Krzysztof Kamil Baczyński, Marina Tsvetaeva, Wiktor Woroszylski, Holocaust
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6746
10.31261/NoZ.2015.01.12
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 189-199
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 189-199
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6746/4861
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6747
2021-07-12T22:35:49Z
NoZ:AR
Post-remembering, Post-body. About Patrycja Dołowy’s Artistic Activities in the Former Warsaw Ghetto
Postpamiętanie, postciało. O działaniach artystycznych Patrycji Dołowy na terenie byłego getta warszawskiego
Chutnik, Sylwia
Post‑remembering, post‑body. About Patrycja Dołowy’s artistic activities in the former Warsaw Ghetto
The article has to do with an analysis of the artistic activity in the sphere of cultural and individual memory which refers to the area of the Warsaw Ghetto. On the basis of Patrycja Dołowy’s works and a drama piece which she co‑wrote the author examines the extent to which the strategies of individual memory are not intellectual in a fundamental way. They do, however, constitute a collection of memories, concepts and interpretations which preclude objectivisation – so much expected in reference to the national memory whose aim is to establish the foundation of the identity of the nation. In her article the author introduces an innovative term, “Jewish fiction”, construed as the making up or combining in a collage manner of Jewish stories in order to situate them in the collective imaginarium as a new chapter of post‑memory activities.
Key words: body, memory, Warsaw Ghetto, Muranów
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6747
10.31261/NoZ.2015.01.13
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 200-211
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 200-211
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6747/4862
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6748
2021-07-12T22:35:48Z
NoZ:AR
“Biographies also Consist of Loops.” The Un-narrated Life of Irena Gelblum
„Biografie składają się również z zapętleń”. Nieopowiedziane życie Ireny Gelblum
Dutka, Elżbieta
“Biographies also consist of loops”. The un‑narrated life of Irena GelblumThe article presents the book by Remigiusz Grzela entitled Wybór Ireny in the context of the contemporary controversies/debates about the biographies and the narrations about the Shoah. In this case the “biographical loops” result both from the life attitude of the female protagonists who are described as well as from the strategy that was embraced by the biographer. The messenger of the Jewish Combat Organisation disassociated herself from her past and created a new image and biography for herself. The writer is continuously poised between the truth that he intends to reveal and fiction – a mystification put forward by Irena Gelblum vel Waniewicz vel Conti Di Mauro. Thus a story emerged whose essence (and significance) consists not so much in familiarising the reader with the figure and the tragic experiences of one of the “scorched” ones but in the exhibition of the ethical and literary problems associated with an attempt at presenting such a story.
Key words: Irena’s Choice, Remigiusz Grzela, biography, ghetto
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
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application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6748
10.31261/NoZ.2015.01.14
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 212-224
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 212-224
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https://journals.us.edu.pl/index.php/NoZ/article/view/6748/4863
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oai:ojs.www.journals.us.edu.pl:article/6749
2021-07-12T22:35:47Z
NoZ:AR
To Tell about the Invisible. An Attempt at Analysing the Movie Ida by Paweł Pawlikowski
Opowiedzieć niewidzialne. Próba analizy filmu Ida Pawła Pawlikowskiego
Mąka‑Malatyńska, Katarzyna
To tell about the invisible. An attempt at analysing the movie Ida by Paweł Pawlikowski
The present text is the first attempt in Poland at analysing the movie by Paweł Pawlikowski, Ida. The author’s premise is that the cinematographic means of expression which are employed in Ida serve to convey meanings which do not result merely from the course of the action and which are not contained in the dialogues. A closer look at the camera work, at the relation between the image and the sound, the recurrent stylistic means in the film allows one to reach the meaning which results from the deep structure of the cinematographic message. The article frequently mentions the statements made by the makers of the film, the accounts from the shooting and the postproduction periods because here the process of the analysis is understood to a certain extent as the reconstruction of the process of creation. The fundamental aim of the analysis of Pawlikowski’s film is to situate it within a historical and cinematographic context, reference to which has direct justification in the structure of the film. Such an attitude opens Pawlikowski’s work to the subsequent stages of interpretation and facilitates a polemics with the reading of Ida which is already well‑established in critical works.
Key words: Ida, Paweł Pawlikowski, Łukasz Żal, Holocaust, film and history, frame composition, light in cinema
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6749
10.31261/NoZ.2015.01.15
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 225-246
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 225-246
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https://journals.us.edu.pl/index.php/NoZ/article/view/6749/4864
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oai:ojs.www.journals.us.edu.pl:article/6750
2021-07-12T22:35:46Z
NoZ:AR
The Midget, the Frog and the Stranger, or a Surreal Story about the Holocaust
Karzeł, żaba i obcy, czyli surrealistyczna opowieść o Holokauście
Janik, Gaweł
The midget, the frog and the stranger or a surreal story about the Holocaust
The article attempts to indicate a change in the means of representing the Shoah. The latteri s more and more frequently described with the use of the means suggested by popular culture. An attempt was made to reconstruct the evolution of the discourse of the Shoah, with special reference to the contemporary representations which were discussed on the basis of the example of the comic book genre. The subject of the Holocaust comic book was treated in a comprehensive manner by exploring its history, constitutive features and criticism. The comic book entitled Achtung Zelig! Druga wojna by Krzysztof Gawronkiewicz and Krystian Rosenberg was used as an example to illustrate the problem which is engaged in the article. Special attention was devoted to its genesis, its realisation of the features peculiar to the genre, its innovative nature and reception. There is an indication of the sources of the surreal convention which was employed by the Polish authors. This convention may have originated, among other things, from the occult roots of Nazism. The authors also mentioned the links between Achtung Zelig!… with cinematographic works such as Hanna by Joe Wright and Zelig by Woody Allen, as well as with Krzysztof Zalewski’s musical project of the same title. Moreover, the authors indicated the similarities between Achtung Zelig!… and Maus by Art Spiegelman in an attempt to evaluate the extent to which the employment and transformation of models used in the American graphic novel was successful in the case of the Polish comic book.
Key words: Holocaust, Shoah, comic books, popular culture, Achtung Zelig!, Maus
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6750
10.31261/NoZ.2015.01.16
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 247-270
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 247-270
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https://journals.us.edu.pl/index.php/NoZ/article/view/6750/4865
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6751
2021-07-12T22:35:45Z
NoZ:RO
A Conversation with the Present/Absent One. Niepokoje. Twórczość Tadeusza Różewicza wobec Zagłady. Ed. Piotr Krupiński. Warszawa, Żydowski Instytut Historyczny, 2014, 248 pages
Rozmowa z (nie)obecnym. Niepokoje. Twórczość Tadeusza Różewicza wobec Zagłady. Red. Piotr Krupiński. Warszawa, Żydowski Instytut Historyczny, 2014, ss. 248
Browarny, Wojciech
A conversation with the present/absent one. Niepokoje. Twórczość Tadeusza Różewicza wobec Zagłady. Red. Piotr Krupiński. Warszawa, Żydowski Instytut Historyczny, 2014, ss. 248.
The review discusses a collection of articles entitled Niepokoje. Twórczość TadeuszaRóżewicza wo bec Zagłady (ed. Piotr Krupiński). Its author directs his attention above all to thedissertations and essays which engage the problem of the interpretative community in which the Różewiczian “traces” of this past are perceived. The text also features a question about the Polish narration (memory) of modernity, and, to be more specific, about the role of Różewicz’s works in the revelation and interpretation of the understatements, inconsistencies and adulterations. The review emphasises the authentic polivocality of the debate about the literary representation of the Holocaust in which the authors of the book participate.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
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info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6751
10.31261/NoZ.2015.01.17
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 273-278
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 273-278
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6751/4866
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6752
2021-07-12T22:35:44Z
NoZ:RO
Three Books in One: History, Analysis and Anthology of Cultural Life in Buchenwald. Magdalena Izabela Sacha: “Gdyście w obóz przybyć już raczyli…”. Obraz kultury lagrowej w świadectwach więźniów Buchenwaldu 1937–1945...
Trzy książki w jednym tomie: historia, analiza i antologia życia kulturalnego w Buchenwaldzie. Magdalena Izabela Sacha: „Gdyście w obóz przybyć już raczyli…”. Obraz kultury lagrowej w świadectwach więźniów Buchenwaldu 1937–1945. Bydgoszcz–Gdańsk...
Wolski, Paweł
Trzy książki w jednym tomie: historia, analiza i antologia życia kulturalnego w Buchenwaldzie. Magdalena Izabela Sacha: „Gdyście w obóz przybyć już raczyli…”. Obraz kultury lagrowej w świadectwach więźniów Buchenwaldu 1937–1945. Bydgoszcz–Gdańsk, Wydawnictwo Instytut Pamięci Narodowej, 2014, ss. 508 + 8 s. wkł. zdj.
Three books in one: history, analysis and anthology of cultural life in Buchenwald Magdalena Izabela Sacha: „Gdyście w obóz przybyć już raczyli…”. Obraz kultury lagrowej w świadectwach więźniów Buchenwaldu 1937–1945. Bydgoszcz–Gdańsk, Wydawnictwo Instytut Pamięci Narodowej, 2014, ss. 508 + 8 s. wkł. zdj.The text discusses Magdalena Sacha’s approach to the issue of cultural activity in death and labour camps in her book „Gdyście w obóz przybyć już raczyli…”. Obraz kultury lagrowej w świadectwach więźniów Buchenwaldu 1937–1945. It consists of three parts: a historical introduction of major death and labour camps in the Third Reich, an analysis of the cultural production in Buchenwald and an anthology of poetry created in Buchenwald and HASAG‑Leipzig camps. The author of the article argues that Sacha’s seemingly traditional approach to historiography is deeply involved in the methodology introduced by New Historicism.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6752
10.31261/NoZ.2015.01.18
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 279-283
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 279-283
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6752/4867
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6753
2021-07-12T22:35:43Z
NoZ:RO
The Pitfalls of Theory. Aleksandra Ubertowska: Holokaust. Auto (tanato) grafie. Warszawa, Instytut Badań Literackich PAN Wydawnictwo, 2014, 367 pages
W sidłach teorii. Aleksandra Ubertowska: Holokaust. Auto (tanato) grafie. Warszawa, Instytut Badań Literackich PAN Wydawnictwo, 2014, ss. 367
Krupa, Bartłomiej
The pitfalls of theory. Aleksandra Ubertowska: Holokaust. Auto (tanato) grafie. Warszawa, Instytut Badań Literackich PAN Wydawnictwo, 2014, ss. 367.
Holokaust. Auto (tanato) grafie, the most recent book by a distinguished Polish researcher of the literature of the Shoah, Aleksandra Ubertowska, engages the themes which the authorherself considers peripheral. The researcher emphasises the instability of the texts that are analysed – essays, women’s writing and the autobiographies of the historians of the Shoah. The main reservations of the reviewer have to do with the lack of a precise indication of the things which lie at the heart of the discourse of the Shoah and of why the selected texts – and these include e.g. the works by Primo Levy and Jean Améry – were considered marginal. Ubertowska also indulges in quite far‑fetched associations, and her argument stumbles along theoretical, excessively free‑ranging though erudite considerations. In a number of cases there is also a lack of certain important contexts, e.g. a reference to the French feminist historiography. The author of the review also has a different opinion concerning the evaluation of certain phenomena – of Raul Hilberg’s research method or of constructing an analogy between the Jewish condition and the homosexual condition. However, the publication which is here discussed is at its best when th eauthor speaks her own mind instead of resorting to the fashionable, alien, theoretical discourse.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6753
10.31261/NoZ.2015.01.19
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 284-293
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 284-293
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6753/4868
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6754
2021-07-12T22:35:42Z
NoZ:RO
Women and the Holocaust: A Brand New Old Discipline. Women and the Holocaust: New Perspectives and Challenges. Eds. Andrea Peto, Louise Hecht, Karolina Krasuska. Warszawa, Instytut Badań Literackich PAN Wydawnictwo, 2015, 268 pages
Kobiety i Zagłada: nowa stara dyscyplina. Women and the Holocaust: New Perspectives and Challenges. Eds. Andrea Peto, Louise Hecht, Karolina Krasuska. Warszawa, Instytut Badań Literackich PAN Wydawnictwo, 2015, pp. 268
Wolski, Paweł
Women and the Holocaust: a brand new old discipline. Women and the Holocaust: New Perspectives and Challenges. Eds. Andrea Peto, Louise Hecht, Karolina Krasuska. Warszawa, Instytut Badań Literackich PAN Wydawnictwo, 2015, pp. 268.
The text presents a collection of essays entitled Women and the Holocaust: New Perspectives and Challenges which tackles the issues of female experience of the Holocaust. The authornotes that the book as a whole entangles new and old approaches to the problem, thus presenting an interesting, although partly repetitive overview of women holocaust studies perceived as an autonomous field of study.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6754
10.31261/NoZ.2015.01.20
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 294-297
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 294-297
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6754/4869
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6755
2021-07-12T22:35:41Z
NoZ:RO
Take Care of the Pennies and the Dollars Will Take Care of Themselves? Agnieszka Kłos: Gry w Birkenau. Wrocław, Fundacja na Rzecz Kultury i Edukacji im. Tymoteusza Karpowicza, 2015, 303 pages
Ziarnko do ziarnka? Agnieszka Kłos: Gry w Birkenau. Wrocław, Fundacja na Rzecz Kultury i Edukacji im. Tymoteusza Karpowicza, 2015, ss. 303
Graczyk, Ewa
Take care of the pennies and the dollars will take care of themselves? Agnieszka Kłos: Gry w Birkenau. Wrocław, Fundacja na Rzecz Kultury i Edukacji im. Tymoteusza Karpowicza, 2015, ss. 303.
Ewa Graczyk’s text is above all an attempt at describing the narrative structure of the collection of stories by Agnieszka Kłos entitled Gry w Birkenau. According to the author of the essay, the contemporary reflection about the Shoah and the accompanying awareness of the impossibility of closing the post‑Holocaust space – both the literal and the semantic one – are ubiquitous in Agnieszka Kłos’s prose.
In the writings by the author of Gry… there is a recurrence of a sort of a “narrative enjambment” which consists in the continuation of the particular themes and subjects by seeminglyfinished works. This device yields the effect of movement, falling apart and the intertexture of the tropes which are crucial for this prose. This aspect of Ewa Graczyk’s prose which is discussed is associated with the problem of the nomadic singularity of the narratrix/protagonist of the stories. This singularity has to do with the constant constitution (and frequently deconstruction) of the rebellious lesbian feminine subjectivity, which inquires after the power, sex and gender in the world after Birkenau.
These tensions are exhibited in the text by juxtaposing Gry w Birkenau with the pre‑Holocaust writings of Bruno Schulz and Debora Vogel. This juxtaposition enables us to see that Agnieszka Kłos’s stories seem to invoke both Schulzian confrontations of the Maker and the Creator with the work and the world as well as the literary experiments of Debora Vogel in which there is a seeming absence of the narratrix and the creatrix.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6755
10.31261/NoZ.2015.01.21
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 298-303
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 298-303
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6755/4870
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6756
2021-07-12T22:35:40Z
NoZ:RO
A Red Plait. Martin Pollack: Skażone krajobrazy. Trans. Karolina Niedenthal. Wołowiec, Wydawnictwo Czarne, 2014, 112 pages
Rudy warkocz. Martin Pollack: Skażone krajobrazy. Przeł. Karolina Niedenthal. Wołowiec, Wydawnictwo Czarne, 2014, ss. 112
Krupiński, Piotr
A red plait. Martin Pollack: Skażone krajobrazy. Przeł. Karolina Niedenthal. Wołowiec, Wydawnictwo Czarne, 2014, ss. 112.
The present essay is devoted to a book by Martin Pollack entitled Skażone krajobrazy. In this volume the Austrian reporter and essayist creates a peculiar map of Central and EasternEurope. The former includes the sites of mass murders which were perpetrated in strict secrecy, and which until today have not been commemorated. Pollack argues that until this happens, the perpetrators who attempted at all costs to commit their crimes without any witnesses will prevail. A separate trait of Pollack’s essay has to do with a reflection about the “topography of terror”: the author presents with a poet’s devotion the landscapes in which acts of genocide were perpetrated. This enables the readers to examine the process of the Shoah from yet another perspective – a post‑anthropocentric perspective.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6756
10.31261/NoZ.2015.01.22
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 304-308
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 304-308
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6756/4871
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oai:ojs.www.journals.us.edu.pl:article/6757
2021-07-12T22:35:39Z
NoZ:RO
The World with a Shortage of Wonders. Sylwia Chutnik: W krainie czarów. Kraków, Społeczny Instytut Wydawniczy Znak, 2014, 257 pages
Świat z deficytem czarów. Sylwia Chutnik: W krainie czarów. Kraków, Społeczny Instytut Wydawniczy Znak, 2014, ss. 257
Karolak, Sylwia
The world with a shortage of wonders. Sylwia Chutnik: W krainie czarów. Kraków, Społeczny Instytut Wydawniczy Znak, 2014, ss. 257.The author discusses W krainie czarów (2014), the most recent collection written by Sylwia Chutnik. She indicates that the book features the themes which are familiar from the previous works of the writer: the matters associated with women, the history of Warsaw (its past and present), the Warsaw Uprising. However, the author of the review at the same time emphasises that W krainie czarów may be considered a unique entry in Chutnik’s literary oeuvre. It may be so not only due to the personal, almost confessional character of the eponymous story which opens the book but above all due to the fact that in W krainie czarów the Shoah assumes the importance of a separate theme, thus becoming apart from the Warsaw Uprising the second war area which is explored by the author of Łączniczki.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6757
10.31261/NoZ.2015.01.23
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 309-318
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 309-318
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https://journals.us.edu.pl/index.php/NoZ/article/view/6757/4872
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6758
2021-07-12T22:35:39Z
NoZ:RO
The Holocaust Games. Yann Martel: Beatrycze i Wergili. Trans. Andrzej Szulc. Warszawa,Wydawnictwo Albatros A. Kuryłowicz, 2010, 240 pages
Gry w Holokaust. Yann Martel: Beatrycze i Wergili. Przeł. Andrzej Szulc. Warszawa, Wydawnictwo Albatros A. Kuryłowicz, 2010, ss. 240
Żółkoś, Monika
The Holocaust Games. Yann Martel: Beatrycze i Wergili. Przeł. Andrzej Szulc. Warszawa, Wydawnictwo Albatros A. Kuryłowicz, 2010, ss. 240.
In a review of Yann Martel’s novel Beatrice and Virgil, the work of the Canadian writer is presented through the pursuit of a new language of speaking about the Holocaust. This is a task which Martel as well as the protagonist of his novel, Henry, the author of a work about the Holocaust of the Jews, in which he futilely attempted to go beyond the sanctioned ways of writing about the Shoah, set themselves. In Beatrice and Virgil a crucial feature is the interpenetration of two orders – the problem of thematising the Shoah meets an animal theme, which is represented by Legend of St. Julian the Hospitaller, a story about an obsessive hunter, and through the art of preparing and stuffing the bodies of dead animals and transforming them into artistic exhibits. In Martel’s work, the master of taxidermy is also the author of a theatrical play about a sheass and an ape, Beatrice and Virgil, which became the victims of events which bear a striking similarity to the various scenes of the Shoah. The basic problem in the novel is not so much a problematisation of the Holocaust but the means of “linguifying” it and the position which may be asserted by the writers who present their Shoah‑related narrations.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6758
10.31261/NoZ.2015.01.24
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 319-323
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 319-323
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https://journals.us.edu.pl/index.php/NoZ/article/view/6758/4873
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6759
2021-07-12T22:35:37Z
NoZ:RO
“The Wail of the Genes.” Magdalena Grzebałkowska: 1945. Wojna i pokój. Warszawa, Biblioteka Gazety Wyborczej, 2015, 413 pages. Anna Janko: Mała zagłada. Kraków, Wydawnictwo Literackie, 2015, 259 pages
„Płacz genów”. Magdalena Grzebałkowska: 1945. Wojna i pokój. Warszawa, Biblioteka Gazety Wyborczej, 2015, ss. 413. Anna Janko: Mała zagłada. Kraków, Wydawnictwo Literackie, 2015, ss. 259
Tomczok, Marta
“The wail of the genes”. Magdalena Grzebałkowska: 1945. Wojna i pokój. Warszawa, Biblioteka Gazety Wyborczej, 2015, ss. 413. Anna Janko: Mała zagłada. Kraków, Wydawnictwo Literackie, 2015, ss. 259.
In her review the author compares the narrations about the war and the Shoah which were published in 2015: a report by Magdalena Grzebałkowska entitled 1945. Wojna i pokój andMała zagłada by Anna Janko. The basis of the comparison is constituted by the Shoah of the Jews as the common, although secondary theme of both books, its influence upon the socialimagination and the rhetoric of both narrations. Apart from indicating the strong points of the narrations, which include an in‑depth study of the archive materials associated with the end of the war (Grzebałkowska) or the presentation of the problem – which was hardly present in the writings devoted to the war and occupation in Poland (the pacification of the village Sochy in the Zamojszczyzna region in 1943, of which Janko’s family fell victim), Marta Tomczok directs her attention to the weaknesses of such discourse, especially in reference to Mała zagłada. These weaknesses include: the intensification of the suffering of the recipient, effected through the juxtaposition in one book of the greatest massacres of children in the history of the world and the rhetoric of the Shoah transposed into the area of the stories about the war sufferings of the Poles. Janko presents both narrations, the Polish and the Jewish one, as mutually competitive.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6759
10.31261/NoZ.2015.01.25
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 324-328
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 324-328
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6759/4874
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6760
2021-07-12T22:35:37Z
NoZ:RO
Pop(Histories) of Polish Emissaries. Comic Books. Kurier z Warszawy. Screenplay. Mariusz Urbanek i Mateusz Palka. Rys. Bartłomiej Stefanowicz. Wrocław, Zakład Narodowy im. Ossolińskich, 2014. Jan Karski. Człowiek, który odkrył Holokaust...
(Pop)Historie polskich emisariuszy. Komiksy. Kurier z Warszawy. Scen. Mariusz Urbanek i Mateusz Palka. Rys. Bartłomiej Stefanowicz. Wrocław, Zakład Narodowy im. Ossolińskich, 2014, ss. 79. Jan Karski. Człowiek, który odkrył Holokaust....
Lichtblau, Krzysztof
(Pop)Historie polskich emisariuszy. Komiksy. Kurier z Warszawy. Scen. Mariusz Urbanek i Mateusz Palka. Rys. Bartłomiej Stefanowicz. Wrocław, Zakład Narodowy im. Ossolińskich, 2014, ss. 79. Jan Karski. Człowiek, który odkrył Holokaust. Scen. Marco Rizzo. Rys. Lelio Bonaccorso. Przeł. Adriana Hołub. Kraków, Wydawnictwo Alter, 2014, ss. 146
Pop(Histories) of Polish emissaries. Comic books Kurier z Warszawy. Scen. Mariusz Urbanek i Mateusz Palka. Rys. Bartłomiej Stefanowicz. Wrocław, Zakład Narodowy im. Ossolińskich, 2014, ss. 79. Jan Karski. Człowiek, który odkrył Holokaust. Scen. Marco Rizzo. Rys. Lelio Bonaccorso. Przeł. Adriana Hołub. Kraków, Wydawnictwo Alter, 2014, ss. 146.The review is devoted to two comic books about Polish emissaries who were active during the Second World War. The first one, Kurier z Warszawy by Mariusz Urbanek, Mateusz Palka (script) and Bartłomiej Stefanowicz (drawings), is the history of Jan Nowak‑Jeziorański’s mission since 15 September 1939, when the latter was already on the front line, until the press conference with the journalists held in the Ministry of Information of Great Britain in 1945. The second one, Jan Karski. Człowiek, który odkrył Holokaust, is the work of Italian artists: Marco Rizzo (script) and Lelio Bonaccorso (drawings). From this comic book we also learn about the tasks performed by the Polish war emissary, Jan Karski, until he reaches the United States and makes an account about the state in which his fatherland found itself. In both cases the authors used the memoirs of the emissaries which were published in book form. The aim of the review is to direct the reader’s attention to the changes which occur during the adaptation of such sources to comic books. One of such elements includes the introduction of images and the transposition of the narration from the verbal to the graphical plane. Another important category which is used in the review is the representativeness of the narration of testimony. The entirety of the considerations is summarised by a remark about the transformations of the contemporary comic books about the Holocaust and the location of the comic books which are discussed in this area.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
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https://journals.us.edu.pl/index.php/NoZ/article/view/6760
10.31261/NoZ.2015.01.26
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 329-337
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 329-337
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6760/4875
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oai:ojs.www.journals.us.edu.pl:article/6761
2021-07-12T22:35:36Z
NoZ:RO
Reconstructing a Jewish Town [in Polish]. Nils Roemer: German City, Jewish Memory The Story of Worms. Waltham, Brandeis University Press, 2010. Michael Meng: Shattered Spaces. Encountering Jewish Ruins in Postwar Germany and Poland
Rekonstruowanie żydowskiego miasta. Nils Roemer: German City, Jewish Memory. The Story of Worms. Waltham, Brandeis University Press, 2010, pp. 316. Michael Meng: Shattered Spaces. Encountering Jewish Ruins in Postwar Germany and Poland
Wolski, Paweł
Reconstructing a Jewish town. Nils Roemer: German City, Jewish Memory. The Story of Worms. Waltham, Brandeis University Press, 2010, pp. 316. Michael Meng: Shattered Spaces. Encountering Jewish Ruins in Postwar Germany and Poland. Cambridge, Harvard University Press, 2011, pp. 351.
The text briefly compares two books: Nils Roemer’s German City, Jewish Memory. The Story of Worms and Michael Meng’s Shattered Spaces. Encountering Jewish Ruins in Postwar Germany and Poland. Both represent fascinating approaches to the process of the reconstruction of the Jewish identity as an important part of the European urban culture destroyed during WWII. By discussing these issues on the examples of Worms (Roemer) and Warsaw, Wrocław, Potsdam, Berlin (Meng) both, albeit in different ways, restore the Jewish identity of these cities not only by approaching the history of historical or architectural landmarks, but also by discussing some less material, discoursive memory markers such as mythology, tourism, politics etc.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
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https://journals.us.edu.pl/index.php/NoZ/article/view/6761
10.31261/NoZ.2015.01.27
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 338-341
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 338-341
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6761/4876
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6762
2021-05-20T09:41:54Z
NoZ:N
Biographical notes
Noty o Autorach
NoZ, Redakcja
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
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https://journals.us.edu.pl/index.php/NoZ/article/view/6762
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 343-347
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 343-347
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6762/4877
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oai:ojs.www.journals.us.edu.pl:article/6763
2021-05-20T09:41:54Z
NoZ:SR
Masthead
Strona redakcyjna
NoZ, Redakcja
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2015-12-31
info:eu-repo/semantics/article
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https://journals.us.edu.pl/index.php/NoZ/article/view/6763
Narracje o Zagładzie [Narrations of the Shoah]; No 1 (2015): The Canon of the Shoah; 348
Narracje o Zagładzie; Nr 1 (2015): Kanon Zagłady; 348
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6763/4878
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6764
2021-04-29T11:33:44Z
NoZ:STS
Title pages and contents
Strony tytułowe i spis treści
NoZ, Redakcja
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
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https://journals.us.edu.pl/index.php/NoZ/article/view/6764
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 1-5
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 1-5
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6764/4879
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oai:ojs.www.journals.us.edu.pl:article/6765
2021-04-29T11:36:16Z
NoZ:W
Various Reflections on (Concentration) Gardens
Myśli różne o ogrodach (koncentracyjnych)
Wolski, Paweł
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6765
10.31261/NoZ.2016.02.01
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 7-11
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 7-11
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6765/4880
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oai:ojs.www.journals.us.edu.pl:article/6766
2021-04-29T11:41:00Z
NoZ:TZ
“I Have Always Found All Kinds of Repetitions Fascinating.” Janina Abramowska in Conversation with Paweł Wolski on the Topoi of the Shoah
„Mnie zawsze fascynowały wszelkie powtarzalności”. O topice Zagłady z Janiną Abramowską rozmawia Paweł Wolski
Abramowska, Janina
Wolski, Paweł
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6766
10.31261/NoZ.2016.02.02
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 15-24
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 15-24
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6766/4881
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6767
2021-04-29T11:42:54Z
NoZ:TZ
Circulation of Tropes of the Shoah in Polish Imagery. Between a Stadium and an Art Gallery
Cyrkulacja śladów Zagłady w polskim imaginarium – między stadionem a galerią sztuki
Kowalska-Leder, Justyna
Circulation of Tropes of the Shoah in Polish Imagery. Between a Stadium and an Art GalleryThe starting point of this text, devoted to the circulation of tropes of the Shoah in Polish imagery, is Sławomir Buryła’s article, Topika Holokaustu. Wstępne rozpoznanie (2012). Instead of the research on the presence of loci communes of the Shoah in Polish literature, the author proposes the analysis of manifestations of traces of the Holocaust in contemporary Polish culture. The inspiration for such an approach is Barbara Skarga’s conception put forward in Ślad i obecność (2002). References to the Holocaust appear in various literary, cinematic and theatrical contexts, but also in journalism, Internet entries, street art and graffiti, and even chants sung in the stadium. They are driven by different intentions, their form reveals diverse cultural competencies, and yet they belong to one communication code. Therefore, an attempt at an analysis of tropes of the Holocaust in contemporary imaginary, in which communicative signs circulate despite class, regional or generational differences, seems to be legitimate, even if these tropes are not equally legible in all the situations and for all the people. Such an analytical work would include tracing their historical changes, but first of all it would make it possible to treat traces of the Holocaust as the tropes leading to the main problems of Polish identity narration and collective memory.
Key words: trace, imagery, topos, Holocaust, narrative
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
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info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6767
10.31261/NoZ.2016.02.03
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 25-35
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 25-35
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6767/4882
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oai:ojs.www.journals.us.edu.pl:article/6768
2021-04-29T12:48:21Z
NoZ:TZ
Traces of the Common Places. On the Advantages of the Notion of a Topos for the Holocaust Studies
Ślady miejsc wspólnych. O zaletach pojęcia toposu dla badań nad Zagładą
Wolski, Paweł
Traces of the Common Places. On the Advantages of the Notion of a Topos for the Holocaust Studies
The author proves the relevance of the notion of a topos for the studies on the narratives of the Shoah, emphasising its unique status of the phenomenon which on the one hand is a ready‑made interpretation of a given situation/event/image, and on the other shows the contextual oscillations of their meanings, actualised in a specific use. Having noted the most interesting contemporary ways of using topoi in the humanities (Reinhardt Koselleck, et al., Geschistlische Grundbegriffe, Mieke Bal, Travelling Concepts in the Humanities etc.) and their less known exegeses in literary theory (e.g. Paolo Valesio, Novantiqua), then having referred to the proto‑classification of the common places in the Holocaust discourse (Słowa niewinne, LTI, Encyklopedia getta etc.), and finally having commented upon the contemporarily used tools of the related studies (imagery, trace etc.), the author outlines the project of the dictionary of the topoi of the Shoah in Polish literature, film, journalism and other narrative forms.
Key words: theory, topos, structure, imagery, trace
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6768
10.31261/NoZ.2016.02.04
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 36-49
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 36-49
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6768/4883
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6769
2021-04-29T12:51:18Z
NoZ:TZ
The (Non-)topos of the Holocaust in Opowieści zasłyszane
(Nie)topika Zagłady w Opowieściach zasłyszanych
Kuczyńska‑Koschany, Katarzyna
The (Non‑)topos of the Holocaust in Opowieści zasłyszane
The article is a twofold attempt: at re‑reading the category of a topos after the Shoah and at interpreting the particular record of the oral history in the context of the liminal metamorphoses the notion of the topoi – crucial in European culture and literature – has undergone. In the first part of the text, the author recapitulates the studies on the aforementioned category – from Aristoteles to the twentieth century scholars (Curtius, Lausberg, Ziomek, Abramowska, Panas); in the second part, she tries to apply it in interpretative practice.
Key words: topoi, oral history, rhetoric, Majdanek, gulag, non‑place
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6769
10.31261/NoZ.2016.02.05
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 50-62
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 50-62
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6769/4884
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6770
2021-04-29T12:51:50Z
NoZ:TZ
DEATH TRAINS – Some Notes on the Construction of the Dictionary Entry
POCIĄGI ŚMIERCI – kilka uwag o konstrukcji hasła słownikowego
Buryła, Sławomir
DEATH TRAINS – Some Notes on the Construction of the Dictionary Entry
The article discusses the topos of the death train in Polish literature and collective imagination. In the first part, the author presents the genesis of the topos and reconstructs its meanings. In the second part, he focuses on the specific problems related to including the entry in the future dictionary of the topoi of the Holocaust. The topos of the death train is one of the oldest ones in the collection of the Holocaust‑related themes. It is often perceived as a synonym to the Shoah. The author of the article enumerates and briefly interprets the most significant literary and cultural examples of the death trains.
Key words: Literary topos, Holocaust, Holocaust literature
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6770
10.31261/NoZ.2016.02.06
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 63-71
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 63-71
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6770/4885
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6771
2021-04-29T12:52:33Z
NoZ:TZ
What Hides behind the Barn? Metamorphoses of the Post-Jedwabne Topos in the Context of the Topoi of the Holocaust
Co stoi za stodołą? Przemiany toposu pojedwabieńskiego a topika Zagłady
Tomczok, Marta
What Hides behind the Barn? Metamorphoses of the Post‑Jedwabne Topos in the Context of the Topoi of the Holocaust
The author endeavours to develop and discuss the concept of a topos which would respond to the needs of the future dictionary of the topoi of the Holocaust. She starts with the summary of the historical understanding of the notion in Aristoteles, Cicero and Quintilian; then, she takes a closer look at the twentieth century conceptualisations, among others in Janina Abramowska and Berthold Emrich. Finally, the author discusses the descriptions of the topoi of the Holocaust in Sławomir Buryła, Władysław Panas and Paweł Wolski, examining how the category of the image and imagery functions in their works. The author assumes that imagery, realism, affectivity, emotional impact and being prone to changes in meaning are the distinctive features of the topoi belonging to the thematic area of the Shoah. In the second part of the article, the author analyses Szmul Wasersztejn’s account of the Jedwabne massacre, firstly extracting all the possible topoi from it, and then describing in detail the topos of the barn. In the final part of the article, the author proposes the analysis of three different examples of its use: in Michał Pilis’s Łąka umarłych, Kevin Vennemann’s Blisko Jedenew and Marcin Wrona’s film, Demon.
Key words: topos, image, pop culture, film, novel, intertextuality
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6771
10.31261/NoZ.2016.02.07
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 72-87
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 72-87
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6771/4886
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6772
2021-04-29T12:53:04Z
NoZ:TZ
The Topos of Poland as the Jewish Cemetery in Hebrew Literature of the Third Generation
Topos Polski jako żydowskiego cmentarza w hebrajskiej literaturze trzeciego pokolenia
Budzik, Jagoda
The Topos of Poland as the Jewish Cemetery in Hebrew Literature of the Third Generation
The aim of this paper is to enumerate and describe possible strategies of realising the topos of Poland as the Jewish cemetery, present and significant in Hebrew literature and other Israeli texts of culture. Hebrew literature – along with Polish literature – is the main and natural reservoir of the Holocaust‑related topoi. Simultaneously, it presents a perspective distinct from the one visible in Polish literature and contains motifs absent in Polish authors’ works. Chosen examples point to the constant presence of the vision of Poland as a Jewish cemetery in the texts referring to the experience of the Shoah and the memory of it, while showing the multitude of applications of this motif. Popularity of the usage of the mentioned topos is emphasised by the demonstration of its presence within texts of a different generic origin – from poetry, through graphic novel and drama, to literary attempts of the participants of school pilgrimages to the memory places in Poland.
Key words: Poland as a Jewish necropolis, Hebrew literature, Holocaust in Israeli discourse, postmemory
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6772
10.31261/NoZ.2016.02.08
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 88-100
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 88-100
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6772/4887
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oai:ojs.www.journals.us.edu.pl:article/6773
2021-04-29T12:58:35Z
NoZ:AR
Wound – Proximity – Non-memory. Psychoanalytically Grounded Trauma Discourse from Freud to Ettinger
Uraz – bliskość – nie-pamięć. Psychoanalityczny dyskurs traumy od Freuda do Ettinger
Kisiel, Anna
Wound – Proximity – Non‑memory. Psychoanalytically Grounded Trauma Discourse from Freud to Ettinger
Trauma is a notion whose perception in the psychoanalytic discourse has undergone dynamic changes, starting from the transfer of this concept to the psychic ground, through theconceptualisation of its impossibility of being shared, ending with Bracha L. Ettinger’s intervention. The aim of this paper is twofold: to track these changes and to (re)define the potential of thetrauma discourse(s). After the analysis of main assumptions concerning the psychic wound in the thought of the fathers of psychoanalysis, the author proceeds to the branch of trauma studies influenced by the Holocaust, so as to finally introduce Bracha L. Ettinger – a clinical psychoanalyst, theoretician, artist, feminist and member of the Second Generation after the Holocaust – and her matrixial theory. As the author endeavours to demonstrate, this thought provides us with the tools to rethink the shape and possibilities of the trauma discourse.
Key words: trauma, Bracha L. Ettinger, memory, psychoanalysis, matrixial theory, transcryptum
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6773
10.31261/NoZ.2016.02.09
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 115-132
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 115-132
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6773/4888
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6774
2021-04-29T12:59:10Z
NoZ:AR
Something out of Nothing? Professor Spanner (Once Again)
Coś z niczego? Profesor Spanner (raz jeszcze)
Morawiec, Arkadiusz
Something out of Nothing? Professor Spanner (Once Again)
The article discusses the genesis and reception of Zofia Nałkowska’s short story Professor Spanner, the “black legend” of professor Rudolf Spanner and the motif (topos) of the Nazi criminal.
Key words: Medallions, soap, fat, document, realism, invention
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
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info:eu-repo/semantics/publishedVersion
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https://journals.us.edu.pl/index.php/NoZ/article/view/6774
10.31261/NoZ.2016.02.10
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 133-149
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 133-149
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6774/4889
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6775
2021-04-29T12:59:39Z
NoZ:AR
Survival in the Era of Chaos and in the Time of the Grand Collapse in Stanislaw Lem’s Memoirs Found in a Bathtub
Przeżyć w epoce „chaotyckiej” i w czasach „Wielkiego Rozpadu” w Pamiętniku znalezionym w wannie Stanisława Lema
Gajewska, Agnieszka
Survival in the Era of Chaos and in the Time of the Grand Collapse in Stanislaw Lem’s Memoirs Found in a BathtubThe paper interprets Stanislaw Lem’s novel Memoirs Found in a Bathtub in the context of the writer’s experience of the occupation. Drawing from the information provided in the correspondence between Lem and Michael Kandel, the author points out the autobiographical allusions contained in the novel. The author also points to the references to the period during which the writer was hiding on the “Aryan side.” The author asks questions about historical topics relating to the everyday life of people living on “Aryan papers” during the occupation. Science fiction staffage and vague allusions to historical events in Lem’s prose have been read as personal, generational and family traumas.
Key words: Stanislaw Lem, Memoirs Found in a Bathtub, Lviv, memory studies, science fiction
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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https://journals.us.edu.pl/index.php/NoZ/article/view/6775
10.31261/NoZ.2016.02.11
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 150-162
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 150-162
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6775/4890
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6776
2021-04-29T13:00:35Z
NoZ:AR
Death and the Role of Corpses in “Dead Spaces”
Śmierć i rola trupów w „martwych przestrzeniach”
Kłos, Agnieszka
Death and the Role of Corpses in “Dead Spaces”
The article focuses on the presentation of basic features of the camp world in the memoirs of former prisoners as a space of tangled categories defined as dead and alive. The world of values described by the witnesses illustrates a significant change in the generational awareness: the birth of a new dimension of the narrative. The text stresses the role, meaning and change in distinctive features of the genres related to memoir literature. The traditional typology, based on the universal rules of distinguishing the genres from one another, gives way to a more open formula, striving for “communicational orientating.” In the article, the “consciousness” of the prisoner’s body and its basic strategies are presented. The author provides an overview of gulag stories, revealing the perspective of the body, whose “adventures” in Auschwitz form the central narrative axis of these statements. The camp body transforming into the dead body, returning intermittently to the order of the living, overlays the whole camp space, to finally become its most capacious symbol. In the prisoners’ memoirs, it is a biological organism, a cell within a living organism, and a part of the scenery, both the real one – the horizon, the landscape – and the cultural one, as it builds this place (cemetery). A special role in these narrations is assigned to the corpses, which are proofs of the experienced loneliness, fragments of the camp landscape, reminders of the physical fragility, subjects of jokes, vaudevilles and songs, but also documentaries filmed during the functioning of Auschwitz concentration camp.
Key words: memoirs, genre, testimony, corporeality, bones, ashes, trauma, landscape, humour
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6776
10.31261/NoZ.2016.02.12
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 163-201
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 163-201
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6776/4891
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6777
2021-04-29T13:01:11Z
NoZ:AR
“If It Was only the Outer Voice of Sky and Cloud.” On the (Non-)banality of the Background. From the Photo Album of Karl Höcker
„Gdyby to był tylko głos nieba i chmur”. O (nie)banalności tła. Z fotograficznego albumu Karla Höckera
Szczypiorska-Mutor, Magdalena
"If It Was only the Outer Voice of Sky and Cloud". On the (Non-)banality of the Background. From the Photo Album of Karl Höcker
This text is an attempt at interpreting the photographs depicting SS officers captured in the moments of holiday relax. After fulfilling their everyday duties in Auschwitz, the SS men – in Höcker’s pictures from his album – rest, walk, joke, sing, feast and flirt with women; they are cheerful, smiling and carefree. The study of the album – revealed only in 2007, consisting of 116 pictures taken between June and December 1944 – is an impossible study, a study of silence, of commenting voices, a study spread between black and white, photography and the world, words and aphonia, hell and its background. It is the account of helplessness – of the gaze, language and understanding.
Key words: photography, memory, image, album, Holocaust, Auschwitz
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6777
10.31261/NoZ.2016.02.13
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 202-223
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 202-223
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6777/4907
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6778
2021-04-29T13:01:40Z
NoZ:AR
Category of the Grotesque in Descriptions of the Music from Concentration Camps. Gry oświęcimskie by Szymon Laks
Kategoria groteski w opisach muzyki z obozów koncentracyjnych. Gry oświęcimskie Szymona Laksa
Dąbrowski, Bartosz
Category of the Grotesque in Descriptions of the Music from Concentration Camps Gry oświęcimskie by Szymon Laks
The article presents the grotesque as an autobiographical strategy of talking about the experience of concentration camps. In his autobiographical testimony, Szymon Laks describes the music in Birkenau as the part of the Nazi system of exploitation of prisoners. In his memories, music in the concentration camp is deprived of humanistic values, and becomes a symbol of the violence, hierarchy and absurdity of the camp life. For Laks, the grotesque and self‑parody become the only means of speaking about the experience of the concentration camp. Laks chooses the literary tactics of inhuman accustoming, similar to the works of such writers as Tadeusz Borowski and Piotr Rawicz.
Key words: Szymon Laks, music in concentration camps, Holocaust, trauma, grotesque, parody
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6778
10.31261/NoZ.2016.02.14
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 224-234
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 224-234
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6778/4892
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6779
2021-04-29T13:03:24Z
NoZ:AR
Schlemiels. Animals and the Shoah in Children’s Literature
Szlemiele. Zwierzęta wobec Zagłady w literaturze dla dzieci
Jarzyna, Anita
Schlemiels. Animals and the Shoah in Children’s Literature
The author of the article is interestedin R.M. Groński’s book, entitled Szlemiel, whose narrator and protagonist is an English bulldog, living with a Jewish intellectual family in pre‑warand war Warsaw. Other pieces mentioned in the text – providing a context for this short story, in which the animal motif is dominant – are among others Bezsenność Jutki by D. Combrzyńska‑Nogala, XY by J. Rudniańska, Wojna na Pięknym Brzegu by A.M. Grabowski and Arka czasu… by M. Szczygielski. Firstly, it is shown how narratives aimed at children regain the issue of the fate and experiences of the companion species during World War II, with a special emphasis put on the Shoah: the issue underestimated in both so‑called literary texts for adults, and historical works. After all, Jews in certain regions of the Third Reich were not allowed to keep animals at home; many of them were hidden and then abandoned out of necessity when their owners were moved to ghettoes. Sensitivity and imagination of a child turns out to be a medium that is in particular proximity to emotions and experiences of animals, while their perspective makes it easier for the youngest readers – target audience of the analysed novels – to confront the memory of the Shoah. The important context, somewhat legitimising the narratives the author examines, is the presence of these threads in literature of personal document (for instance in V. Klemperer’s diaries) and memoir prose (for instance in I. Krzywicka’s Mieszane towarzystwo…), which so far has often been overlooked. The methodological basis of the interpretation is É. Baratay’s Point depue animal. Uneautre version de l’histoire, recently published in Polish (Zwierzęcy punkt widzenia. Inna wersja historii). By formulating a thesis that literature for children on the subject of the Holocaust somewhat assert the animals’ fate, the author on the one hand thinks about therestrictions and simplifications these narratives presuppose, and on the other asks whether the inclusion of non‑human subjects breaks the schemes this literature has created.
Key words: children’s literature, Holocaust, animal studies
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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https://journals.us.edu.pl/index.php/NoZ/article/view/6779
10.31261/NoZ.2016.02.15
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 235-256
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 235-256
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6779/4893
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6780
2021-04-29T13:03:54Z
NoZ:AR
“Armenian Night Squints Its Eyes.” Around the Metaphor of the Iconic Fate in Jerzy Ficowski’s Poetry
„Mruży oczy noc ormiańska” – wokół metafory ikonicznego losu w poezji Jerzego Ficowskiego
Nowicka, Daria
“Armenian Night Squints its Eyes”. Around the Metaphor of the Iconic Fate in Jerzy Ficowski’s Poetry
In his work, Jerzy Ficowski – the author of Odczytanie popiołów, Ptak poza ptakiem, Demony cudzego strachu and Czekanie na sen psa – concentrates on the borderland in its broad sprectrum. Tryptyk bizantyjski – the subject of this study – is a piece in which the author emphasises the need for memory and emphatic writing, which is especially visible in its third part, devoted to Armenian memory. Being a reminder of the tragic history of the forgotten nation, the poem is simultaneously a cry for literary presence and audibility. This cultural, historical and literary borderland, significant in Ficowski’s poetry, appears also in the gesture of rewriting an icon and in the creation of oxymoronic poetry.
Key words: Jerzy Ficowski, post‑war poetry, Armenians, memory, memory studies, trauma, postmemory, icon
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2019-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6780
10.31261/NoZ.2016.02.16
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 257-270
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 257-270
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6780/4894
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6781
2021-04-29T13:04:23Z
NoZ:AR
Creating an Archive. Anna Baumgart’s §1000
Wytwarzanie archiwum. §1000 Anny Baumgart
Rewerenda, Magdalena
Creating an Archive. Anna Baumgart’s §1000
The article is an analysis of Anna Baumgart’s film, §1000, which is a recording of the play directed by Agata Baumgart based on residual records of the prison play from 1947 prepared by Norwegian Nazis in Falstad. Baumgart’s project is discussed in the context of the newest theories related to the notion of an archive: from the classical approaches of Derrida and Foster, to the newest conceptions proposed by Rebecca Schneider, Heike Roms and Paul Clarke. The text reveals numerous levels of Baumgart’s reflections on artistic representations of history and the functioning of an archive; moreover, it is an attempt at formulating an extended definition of a theatre archive on the basis of the discussed project.
Key words: archive, memory, performance, document, performing the archive, Holocaust
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2019-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6781
10.31261/NoZ.2016.02.17
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 271-282
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 271-282
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6781/4895
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6782
2021-04-29T13:04:53Z
NoZ:AR
Auschwitz as the Metaphor for Everything. Wojciech Albiński’s Oświęcimki
Auschwitz jest metaforą wszystkiego. Przypadek Oświęcimków Wojciecha Albińskiego
Nazimek, Joanna
Auschwitz as the Metaphor for Everything. Wojciech Albiński’s Oświęcimki
The object of analysis in this article is the short prose collection entitled Oświęcimki (2014). Wojciech Albiński’s pieces reveal how strongly war and Holocaust clichés are rooted in thedictionary, gestures and collective bodily memory of contemporary generations. These texts can be also read as the critiques of the pop‑cultural infantilisation of the Shoah and the signs of tiredness due to the excess of traumatising testimonies on the events of World War II. As the author endeavours to demonstrate, Albiński’s texts reveal the empathetic unease and the real needs of approaching the past, understanding it, and searching for sense in it. Oświęcimki are analysed in the context of the issues connected with the functioning of the Holocaust in the permanently changing collective memory.
Key words: Oświęcimki by Wojciech Albiński, Holocaust, Auschwitz, collective memory, post-memory, post‑traumatic culture
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2019-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6782
10.31261/NoZ.2016.02.18
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 283-294
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 283-294
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6782/4896
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6783
2021-04-29T14:40:22Z
NoZ:RO
Medallions against Silence. Michał Głowiński: Carska filiżanka. Szesnaście opowieści. Warszawa, Wielka Litera, 2016, 238 pages
Medaliony przeciw milczeniu. Michał Głowiński: Carska filiżanka. Szesnaście opowieści. Warszawa, Wielka Litera, 2016, ss. 238
Tomczok, Marta
Medallions against Silence. Michał Głowiński: Carska filiżanka. Szesnaście opowieści. Warszawa, Wielka Litera, 2016, ss. 238.
The author of the review is interested in chosen questions appearing in the collection of sixteen stories by Michał Głowiński, entitled Carska filiżanka… These include: memory and oblivion, silence and speaking, fate, past, old age, and homoerotism. While discussing the particular parts of the book, the author points to its most important and complex issue – homoerotism. Next to the war and its traces vanishing in old memory, it seems to be the most mature and interestingly formulated subject matter of the collection. The author does not abandon the autobiographical reading of Głowiński’s work, but she proposes that one can observe it through the prism of the category of the medallion, described by the writer in one of his works in literary studies. In this way, Marta Tomczok finds new realisations of the literary form known from Zofia Nałkowska’sand Ludwik Hering’s works, filled with a historical reality which is completely different from one of the war. The author also stresses the element linking the mentioned medallions: the crystal clear language.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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https://journals.us.edu.pl/index.php/NoZ/article/view/6783
10.31261/NoZ.2016.02.19
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 297-302
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 297-302
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6783/4897
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6784
2021-04-29T14:40:45Z
NoZ:RO
How to Explain to the Child What Auschwitz Was? Annette Wieviorka: Czym było Auschwitz? Rozmowy z moją córką. Trans. Paulina Tarasewicz. Gdańsk, Wydawnictwo w Podwórku, 2015, 92 pages
Jak wyjaśnić dziecku, czym było Auschwitz? Annette Wieviorka: Czym było Auschwitz? Rozmowy z moją córką. Przeł. Paulina Tarasewicz. Gdańsk, Wydawnictwo w Podwórku, 2015, ss. 92
Grzemska, Aleksandra
How to Explain to the Child What Auschwitz Was? Annette Wieviorka: Czym było Auschwitz? Rozmowy z moją córką. Przeł. Paulina Tarasewicz. Gdańsk, Wydawnictwo w Podwórku, 2015, ss. 92.
In Auschwitz Explained to My Daughter – which is a conversation between Annette Wieviorka and her daughter Mathilde – a Jewish‑French historian describes to a French teenager, who is also a representative of the third generation descendent, what exactly Auschwitz was and how it has affected her life and her family’s lives. During this conversation Wieviorka has to face a difficult double role – of being a mother and a historian – and cope with complicated questions about the Holocaust experiences, which are in fact unspeakable, irrational, and out of any order.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6784
10.31261/NoZ.2016.02.20
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 303-306
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 303-306
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6784/4898
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6785
2021-04-29T14:41:15Z
NoZ:RO
“Revolt Gets Sensitised.” Katarzyna Kuczyńska-Koschany: “Все поэты жиды”. Antytotalitarne gesty poetyckie i kreacyjne wobec Zagłady oraz innych doświadczeń granicznych. Poznań, Wydawnictwo Naukowe UAM, 2013, 360 pages
„Bunt się uczula”. Katarzyna Kuczyńska-Koschany: „Все поэты жиды”. Antytotalitarne gesty poetyckie i kreacyjne wobec Zagłady oraz innych doświadczeń granicznych. Poznań, Wydawnictwo Naukowe UAM, 2013, ss. 360
Juchniewicz, Andrzej
“Revolt Gets Sensitised”. Katarzyna Kuczyńska‑Koschany: „Все поэты жиды”. Antytotalitarne gesty poetyckie i kreacyjne wobec Zagłady oraz innych doświadczeń granicznych. Poznań, Wydawnictwo Naukowe UAM, 2013, ss. 360.
This text provides an overview of questions presented in Katarzyna Kuczyńska‑Koschany’s book, which are connected to the possibility of a literary conceptualization of the gesture ofresistance. The reviewer notes the exceptional character of the text, whose author explores the margins of literature of the Shoah via the deconstruction of the canon. Appreciating the author’sconception, the reviewer presents three parts of her work, simultaneously accentuating the last part, comprising micrological analytical‑interpretative studies; this part reveals the practical use of the eponymous category in life and works of prominent Polish poets, whose witnessing to the Shoah is based on the ethics of memory. The reviewer stresses the role of “anti‑totalitarian poetic and creational gestures” discussed in Kuczyńska‑Koschany’s book and points to the approach of the author, who stands for the personalized reading of the legacy of the Shoah.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6785
10.31261/NoZ.2016.02.21
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 307-316
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 307-316
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6785/4899
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6786
2021-04-29T14:41:36Z
NoZ:RO
Foreign Body, Body’s Foreignness. Jan Borowicz: Nagość i mundur. Ciało w filmie Trzeciej Rzeszy. Warszawa, Instytut Wydawniczy Książka i Prasa, 2015, 161 pages
Ciało obce, obcość ciała. Jan Borowicz: Nagość i mundur. Ciało w filmie Trzeciej Rzeszy. Warszawa, Instytut Wydawniczy Książka i Prasa, 2015, ss. 161
Janik, Gaweł
Foreign Body, Body’s Foreignness. Jan Borowicz: Nagość i mundur. Ciało w filmie Trzeciej Rzeszy. Warszawa, Instytut Wydawniczy Książka i Prasa, 2015, ss. 161.
In his review, the author discusses Jan Borowicz’s monograph Nagość i mundur. Ciało w filmie Trzeciej Rzeszy, in which the Third Reich cinematography has been analysed in termsof the ways of depicting corporeality. The review discusses the methodology foregrounding the piece and notes the innovative character of not only the framing of the subject of study, but also numerous conclusions drawn from Borowicz’s research. All the three main parts of the monograph are analysed, describing the depictions of the Nazi body, the non‑German one, and the sick, monstrous and disfigured body of the Jew. The interdisciplinary character of the book is pointed at, since Nagość i mundur… connects the visual and film studies with the cultural, philosophical, sociological, as well as political and biopolitical perspectives.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
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https://journals.us.edu.pl/index.php/NoZ/article/view/6786
10.31261/NoZ.2016.02.22
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 317-320
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 317-320
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https://journals.us.edu.pl/index.php/NoZ/article/view/6786/4900
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oai:ojs.www.journals.us.edu.pl:article/6787
2021-04-29T14:42:01Z
NoZ:RO
Polish-language Political Romance with the History of Israel in the Background. Elżbieta Kossewska: Ona jeszcze mówi po polsku, ale śmieje się po hebrajsku. Partyjna prasa polskojęzyczna i integracja kulturowa polskich Żydów w Izraelu (1948–1970).
Polskojęzyczny romans polityczny z izraelską historią w tle. Elżbieta Kossewska: Ona jeszcze mówi po polsku, ale śmieje się po hebrajsku. Partyjna prasa polskojęzyczna i integracja kulturowa polskich Żydów w Izraelu (1948–1970). Warszawa...
Pustuła, Mateusz
Polskojęzyczny romans polityczny z izraelską historią w tle. Elżbieta Kossewska: Ona jeszcze mówi po polsku, ale śmieje się po hebrajsku. Partyjna prasa polskojęzyczna i integracja kulturowa polskich Żydów w Izraelu (1948–1970). Warszawa, Wydawnictwa Uniwersytetu Warszawskiego, 2015, ss. 507 + 8 s. wkł. zdj.
Polish‑language Political Romance with the History of Israel in the Background. Elżbieta Kossewska: Ona jeszcze mówi po polsku, ale śmieje się po hebrajsku. Partyjna prasa polskojęzyczna i integracja kulturowa polskich Żydów w Izraelu (1948–1970). Warszawa, Wydawnictwa Uniwersytetu Warszawskiego, 2015, ss. 507 + 8 s. wkł. zdj.New research on Polish‑language communities in Israel has a peculiar critical literary resonance in Poland, among others due to the complex, double, Polish‑Jewish identity of the authors. Thus, the fact that Polish literary criticism does not pay much attention to Elżbieta Kossewska’s book, Ona jeszcze mówi po polsku, ale śmieje się po hebrajsku…, is puzzling. This review points to this interesting study of the so far untackled issue of Polish‑language party press in Israel, which gives the recipient considerable cognitive satisfaction. Elżbieta Kossewska’s project included conducting research in several dozen libraries in Poland and abroad. The book resulting from it shows the richness of Polish‑language press in the Land of Israel. The thesis of the study concerns the dependence of particular press titles on political parties. Despite its monographic character, the publication is really a story about Jewish people moving from Poland to Israel, composed from scattered pages of Polish‑language Israeli newspapers. The reviewed piece should occupy an important position among the accomplishments of press studies in Poland.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
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https://journals.us.edu.pl/index.php/NoZ/article/view/6787
10.31261/NoZ.2016.02.23
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 321-329
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 321-329
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https://journals.us.edu.pl/index.php/NoZ/article/view/6787/4901
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oai:ojs.www.journals.us.edu.pl:article/6788
2021-04-29T14:42:24Z
NoZ:RO
Memory Places. On the Synagogue in Poznań in Wroniecka Street. Joanna Roszak: Słyszysz? Synagoga. Wychodząc spod poznańskiej synagogi przy Wronieckiej. Lublin–Warszawa, Instytut Slawistyki PAN – Ośrodek “Brama Grodzka – Teatr NN,” 2015, 140 pages
Miejsca pamięci. O poznańskiej synagodze przy Wronieckiej. Joanna Roszak: Słyszysz? Synagoga. Wychodząc spod poznańskiej synagogi przy Wronieckiej. Lublin–Warszawa, Instytut Slawistyki PAN – Ośrodek „Brama Grodzka – Teatr NN”, 2015, ss. 140
Nowicka, Daria
Memory Places. On the Synagogue in Poznań in Wroniecka Street. Joanna Roszak: Słyszysz? Synagoga. Wychodząc spod poznańskiej synagogi przy Wronieckiej. Lublin–Warszawa, Instytut Slawistyki PAN – Ośrodek „Brama Grodzka – Teatr NN”, 2015, ss. 140.Joanna Roszak’s book, Słyszysz? Synagoga. Wychodząc spod poznańskiej synagogi przy Wronieckiej, is a collection of commentaries and the author’s conversations with the witnesses of the bygone Jewish past, whose central place was the old synagogue in Poznań. As this review shows, the main axes of the book are memory and place, but also compassion, which are mentioned among others by Zygmunt Bauman, Baruch Bergman, Wojciech Wilczyk and Tomasz Pietrasiewicz. Through these conversations, the author points to various formulations of the memory place. She notes that the synagogue is perceived multidimensionally: firstly it is a historical site, secondly it is a space of anthropological experience, and finally it is still a place of a singular, individual sensation.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
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https://journals.us.edu.pl/index.php/NoZ/article/view/6788
10.31261/NoZ.2016.02.24
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 330-334
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 330-334
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https://journals.us.edu.pl/index.php/NoZ/article/view/6788/4902
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6789
2021-04-29T14:42:50Z
NoZ:V
Medallion (for Imre Kertész)
Medalion (poświęcone Imre Kertészowi)
Piotrowiak‑Junkiert, Kinga
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6789
10.31261/NoZ.2016.02.25
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 337-340
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 337-340
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6789/4903
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6790
2021-04-29T14:43:13Z
NoZ:V
On Culture and Profanation during the Fifth Days of Jewish Culture “Adlojada” in Szczecin
O kulturze i profanacjach podczas piątych szczecińskich Dni Kultury Żydowskiej „Adlojada”
Grzemska, Aleksandra
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6790
10.31261/NoZ.2016.02.26
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 341-343
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 341-343
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6790/4904
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6791
2021-04-29T14:43:59Z
NoZ:N
Biographical notes
Noty o Autorach
NoZ, Redakcja
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
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https://journals.us.edu.pl/index.php/NoZ/article/view/6791
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah; 345-350
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady; 345-350
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6791/4905
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6792
2021-04-29T11:22:32Z
NoZ:CN
Full issue
Cały numer
NoZ, Redakcja
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2016-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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https://journals.us.edu.pl/index.php/NoZ/article/view/6792
Narracje o Zagładzie [Narrations of the Shoah]; No 2 (2016): Narrations of the Shoah 2016, no. 2: The Topoi of the Shoah
Narracje o Zagładzie; Nr 2 (2016): Narracje o Zagładzie 2016, nr 2: Topika Zagłady
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6792/4906
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6829
2021-05-05T10:39:49Z
NoZ:W
Beyond the Imagery. On the Place of Animals in Narrations of the Shoah and the Place of the Shoah in Narrations on Animals
Poza imaginarium. O miejscu zwierząt w narracjach o Zagładzie i Zagłady w narracjach o zwierzętach
Jarzyna, Anita
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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https://journals.us.edu.pl/index.php/NoZ/article/view/6829
10.31261/NoZ.2017.03.01
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 7-18
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 7-18
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https://journals.us.edu.pl/index.php/NoZ/article/view/6829/4942
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6830
2021-05-05T10:38:32Z
NoZ:STS
Title pages and contents
Strony tytułowe i spis treści
NoZ, Redakcja
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
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https://journals.us.edu.pl/index.php/NoZ/article/view/6830
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 1-6
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 1-6
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https://journals.us.edu.pl/index.php/NoZ/article/view/6830/4943
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6831
2021-05-05T10:47:46Z
NoZ:ZZ
“The Word ‘Jew’ Was Ineffable.” On the Micrology of Plants and Animals as a Perspective for the Shoah Studies. Aleksander Nawarecki in Conversation with Marta Tomczok and Beata Mytych-Forajter
„Słowo »Żyd« było niewymawialne”. O mikrologii roślin i zwierząt jako perspektywie dla badań Zagłady. Z Aleksandrem Nawareckim rozmawiają Marta Tomczok i Beata Mytych‑Forajter
Nawarecki, Aleksander
Tomczok, Marta
Mytych-Forajter, Beata
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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https://journals.us.edu.pl/index.php/NoZ/article/view/6831
10.31261/NoZ.2017.03.02
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 21-41
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 21-41
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https://journals.us.edu.pl/index.php/NoZ/article/view/6831/4944
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6832
2021-05-05T10:48:26Z
NoZ:ZZ
The Shoah, the Sacrifice, and the Animal in Elisabeth de Fontenay’s Thought
Zagłada, ofiara i zwierzęta w myśli Elisabeth de Fontenay
Loba, Mirosław
The Shoah, the Sacrifice, and the Animal in Elisabeth de Fontenay’s ThoughtThe article aims at presenting the views of a French philosopher Elisabeth de Fontanay on the issue of proximity between the Shoah and the inhuman, industrial treatment of animals.The author not only explains the history of such a contextualisation of the problem, but also tackles the question of the meaning of a sacrifice, which is a term often used to define both the extermination of the Jews and the mass animal slaughter.
Key words: Elisabeth de Fontenay, Shoah, sacrifice, animals, mass slaughter
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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https://journals.us.edu.pl/index.php/NoZ/article/view/6832
10.31261/NoZ.2017.03.03
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 42-50
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 42-50
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https://journals.us.edu.pl/index.php/NoZ/article/view/6832/4945
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6833
2021-05-05T10:49:09Z
NoZ:ZZ
Insecto-Semitism
Insektosemityzm
Żółkoś, Monika
Insecto‑SemitismThis article is an attempt at describing Nazi anti‑Semitic narrations from the animal studies perspective. The author traces the ways of using cultural images of insects in persecutory discourses, which by means of the “animalism” category not only degrade the Jewish identity, but also deprive it of human subjectivity. The article shows the creation of the specific interpretation of Semitic corporeality – presented as budding and expanding, and simultaneously repulsive and estranging – by means of insect metaphors. What seems to be particularly interesting is tracing the movement of anti‑Semitic connotations, which link the Jewish identity with more and more lowly and non‑human living forms – insects, parasites, and bacteria. Their impact on the collective consciousness leads from the metaphor to that which is made extremely literal, whose culminations are ghettoes and death camps. Literary endeavours to oppose the degrading images connecting the Jewish community with the negatively valorised animality provide yet another important thread of the article. The author examines various strategies of discursive resistance, found in Marian Pankowski’s pieces and in Julian Tuwim’s poem. Their common ground is not so much rejecting Nazi similes, presenting the Jews as equal with insects, as appropriating these images and filling them with new content, which turns out to be a more sophisticated form of subversion.
Key words: animal studies, non‑anthropocentric humanities, animals, insects, Jews, anti-Semitism, persecutory strategies, symbolic violence
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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https://journals.us.edu.pl/index.php/NoZ/article/view/6833
10.31261/NoZ.2017.03.04
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 51-65
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 51-65
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https://journals.us.edu.pl/index.php/NoZ/article/view/6833/4946
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6834
2021-05-05T10:49:52Z
NoZ:ZZ
“The Inventory of Human Misery.” Lice in Nazi Camp Narrations
„Inwentarz nędzy ludzkiej”. Wszy w narracjach lagrowych
Czarnecka, Barbara
“The Inventory of Human Misery”. Lice in Nazi Camp NarrationsThe article is a polemic with the ahistorical interpretation of animal studies and reveals a meaning of insects that is other than symbolic. Using numerous examples taken from Nazicamp literature, it proves that in extreme conditions, a human – in order to maintain physical existence – cannot fight for ecosystemic animal equality. The text presents the living conditions of prisoners and the camp experience of fighting lice, along with completely unexpected situations brought about in concentration camps by the presence of insects.
Key words: animal studies, lice, military occupation, Jews, Nazi camps, concentration camps, Shoah
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6834
10.31261/NoZ.2017.03.05
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 66-86
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 66-86
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6834/4947
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6835
2021-05-05T10:50:30Z
NoZ:ZZ
Iron Horseflies and Human Insects. War “Entomology” of Maria Pawlikowska-Jasnorzewska
Gzy żelazne i ludzkie owady. „Entomologia” wojenna Marii Pawlikowskiej‑ Jasnorzewskiej
Kokoszka, Magdalena
Iron Horseflies and Human Insects. War “Entomology” of Maria Pawlikowska‑JasnorzewskaThe author of this article is interested in insect motifs appearing above all in Maria Pawlikowska‑Jasnorzewska’s Szkicownik poetycki. The modern war described by the poet shatters the epidermal order of the world; it seems to allow the incomprehensible – that which is not an object yet, such as insects‑planes, but which is not a subject anymore, such as the human changed by the war. The latter – reduced to the role of a trash animal, a stigmatised being – imperceptibly finds himself or herself in the world that he or she is prone to perceive as the world of the insect.
Key words: Pawlikowska‑Jasnorzewska, Szkicownik poetycki, insects, modern war, trash animal
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6835
10.31261/NoZ.2017.03.06
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 87-102
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 87-102
2451-2133
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6835/4948
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6836
2021-05-05T10:51:07Z
NoZ:ZZ
(Extra-)Ordinary Czajka. An Ecocritical Perspective in Izabela Czajka-Stachowicz’s Narrations of the Shoah
Czajka (nad)zwyczajna. Perspektywa ekokrytyczna w narracjach o Zagładzie Izabeli Czajki Stachowicz
Tomczok, Marta
(Extra‑)Ordinary Czajka. An Ecocritical Perspective in Izabela Czajka Stachowicz’s Narrations of the Shoah
In the article, the author attempts to prove how valuable a change of methodology can be when it comes to war and Shoah literature of Izabela Czajka Stachowicz. Instead of a reading focused on the writer as a celebrity who shows off and is permeated with sexism, the author proposes the ecocritical and posthumanist reading in its broad understanding, grounded primarily upon the works of Rosi Braidotti. Basing on this perspective, the author discusses the diary entitled Ocalił mnie kowal, situating it against the background of Czajka’s autobiographical prose as well as numerous other war diaries and memoirs of the Jews. Czajka’s writings above all embrace plants and animals with figurative care, but at the same these texts they do not lack realistic narration, devoted to the examples of agreements that the writer hiding on the “Aryan side” has made with homeless or enslaved hens, dogs, and cats.
Key words: Shoah, animals, Polish People’s Republic (PRL), stereotypes, female writing
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6836
10.31261/NoZ.2017.03.07
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 103-120
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 103-120
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6836/4949
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6837
2021-05-05T10:52:01Z
NoZ:ZZ
Anxieties. Tadeusz Różewicz and the So-called Livestock
Niepokoje. Tadeusz Różewicz wobec tzw. zwierząt hodowlanych
Szaj, Patryk
Anxieties. Tadeusz Różewicz and the So‑called Livestock
Collating Tadeusz Różewicz’s poetry with Jacques Derrida’s critique of logocentrism and John D. Caputo’s so‑called poetics of obligation, this article ponders upon the ethical relation to non‑human animals – particularly livestock – in the aforementioned literary project. Although Różewicz’s volumes published early after the end of the war seem to drift towards negative anthropology, they tend to benefit from more modern interpretative codes, for instance Giorgio Agamben’s anthropological machine or Caputo’s poetics of obligation. With regard to the means of the latter one, it is argued that Różewicz’s poetry endeavours to rethink animal as the absolute Other, contributing to the ethical relation which has been previously restricted entirely to Human‑Other. Such poems as Walentynki, Świniobicie, Ucieczka świnek dwóch (z obozu zagłady – rzeźni), Buty i wiersze or Unde malum? confirm Różewicz’s sensitivity to animal suffering. Moreover, they often anticipate the ethical and philosophical debates upon the human/animal dyad, and their practical political and economic implications.
Key words: logocentrism, poetics of obligation, anthropological machine, non‑human animals, Tadeusz Różewicz, Jacques Derrida, John D. Caputo
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
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info:eu-repo/semantics/publishedVersion
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https://journals.us.edu.pl/index.php/NoZ/article/view/6837
10.31261/NoZ.2017.03.08
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 121-138
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 121-138
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6837/4950
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6838
2021-05-05T10:57:21Z
NoZ:ZZ
Human–Canine Bond in Ida Fink’s Works
Relacja człowiek – pies w opowiadaniach Idy Fink
Krupa, Bartłomiej
Human–Canine Bond in Ida Fink’s WorksThis paper is devoted to the role human–canine bonding serves in Ida Fink’s works. The introduction describes the conversation between the author of this article and the sister of the writer who, suddenly, recalled a dog killed by Nazi Germans during wartime. This account is followed by the category of mourning animals and the emphasis on the particular sensitivity to the harm of all beings, despite species, that the survivors show. The first part of this paper is an analysis of Ida Fink’s short story, Czing, which focuses on the aforementioned dog. Moreover, it tackles the stereotype of “a spinster and her animal,” and the simultaneous births of racism and cynology. In the second part, Czarna bestia, a short story on the communication between a dog and a human being is discussed. Finally, the paper indicates possible dangers that Ida Fink has successfully evaded; particularly, it covers the tasteless, distorted accounts on how the Jews attempting to avoid the Shoah have been saved by the wolfs (Holstein and Defonseca).
Key words: Shoah, Holocaust, animal studies, dogs, Polish prose, testimony
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6838
10.31261/NoZ.2017.03.09
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 139-160
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 139-160
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6838/4951
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6839
2021-05-05T10:58:41Z
NoZ:ZZ
The Monologue of a Dog Entangled in History. On Non-human War Narrations
Monolog psa zaplątanego w dzieje. O nie‑ludzkich narracjach wojennych
Ebbig, Katarzyna
The Monologue of a Dog Entangled in History. On Non‑human War NarrationsThe article provides an endeavour to look at animal narration in the context of Shoah literature. Focusing primarily on Asher Kravitz’s novel The Jewish Dog, the author examines whether letting a non‑human creature speak is only a desire to create a new representation or rather a part of the visible tendency to both include beings other than human in our history and everyday life, and affirm their role in these areas.
Key words: animal narration, Asher Kravitz, posthumanism, animal character
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6839
10.31261/NoZ.2017.03.10
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 161-171
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 161-171
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6839/4952
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6840
2021-05-05T10:59:15Z
NoZ:ZZ
“Turn towards Animals” in Gustaw Morcinek’s Prose. A Reconnaissance
„Zwrot ku zwierzętom” w prozie Gustawa Morcinka. Rekonesans
Sadzikowska, Lucyna
“Turn towards Animals” in Gustaw Morcinek’s Prose. A ReconnaissanceThe article concerns post‑camp literature of Gustaw Morcinek, which presents complex relations between people and animals. Issues presented in the prose of the writer from Karwina can be decoded by means of ecocritical currents. The animal studies perspective makes it possible to go beyond melancholic, anthropocentric theology. Animal eschatology in Morcinek’s writings shows numerous similarities to his reflections on the death of the human behind “barbed wires.” The human has been defined by the writer – who has turned towards animals – not as a creature antithetical to the animal, but as one equal to it. Morcinek makes successful attempts to affirm the animal world by building a positive system of values with the ethical component towards nature.
Key words: Gustaw Morcinek, animals, post‑camp literature, animal studies
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6840
10.31261/NoZ.2017.03.11
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 172-188
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 172-188
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6840/4953
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6841
2021-05-05T11:00:17Z
NoZ:ZZ
On Inhuman Human and Inanimal Animal Behaviour: Reading Frydzia Kiwatz’s Ludzie i hieny
O nieludzkim „ludzkim” i „niezwierzęcym” zwierzęcym zachowaniu: z lektury wiersza Ludzie i hieny Frydzi Kiwatz
Przymuszła, Beata
On Inhuman Human and Inanimal Animal Behaviour. Reading Frydzia Kiwatz’s Ludzie i hienyThe paper, based on an analysis of Frydzia Kiwatz’s poem included in Tango łez śpiewajcie muzy. Poetyckie dokumenty Holokaustu indicates the necessity of returning to the historical contexts which the works from the times of the Shoah are indebted to. Consequently, the boundary between human and inhuman, described in the poem, might be read differently depending on the approach one decides to adopt. This boundary, however, is possible to be rethought anew, since the poem deeply re‑reads the stereotypical division into what is significant for humans, and what – for animals.
Key words: Shoah, poetry, animal studies, victims, bestiality
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6841
10.31261/NoZ.2017.03.12
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 189-199
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 189-199
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6841/4954
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6842
2021-05-05T11:00:59Z
NoZ:ZZ
Animal Idylls. On Miklós Radnóti’s Razglednicák
Zwierzęce idylle. O Razglednicach Miklósa Radnótiego
Piotrowiak-Junkiert, Kinga
Animal Idylls. On Miklós Radnóti’s RazglednicákThe article presents an interpretation of Miklós Radnóti’s famous poetic cycle, Razglednicák [Postcards] (1944), from the animal perspective. The situation of the poet – a Hungarian Jew and a Catholic, sent to forced labour and then to a death march – is presented in four short pieces, expressly referring to the idyllic aesthetics. The dominant elements of the poem’s landscape are profiles of animals. By means of the poem, a flock of sheep and an ox become live emblems of the human condition in two states: the idyllic, timeless continuance and the inevitable death, which brings biological exhaustion to an end. The sheep and the ox also represent different types of presence – the sheep seem to function in an intact scenery, almost perfectly resembling the poet’s previous pieces devoted to animals, in which the animal embodies the untouched world, coexists with the landscape, and is continuance without a name. In Radnóti, the animal is a subjectified creature that exists on an equal basis with the human.
Key words: Miklós Radnóti, Hungarian literature, forced labour, idyll, animals, Razglednicák [Postcards], Bori Notesz [Camp Notebook]
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6842
10.31261/NoZ.2017.03.13
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 200-216
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 200-216
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6842/4955
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6843
2021-05-05T11:01:34Z
NoZ:ZZ
A Fish Falls Asleep. Autobiographical and Animal Disquietudes in Andrzej Wróblewski’s Painting
Zasypia ryba. Autobiograficzne i zwierzęce niepokojenia w malarstwie Andrzeja Wróblewskiego
Nowicka, Daria
A Fish Falls Asleep. Autobiographical and Animal Disquietudes in Andrzej Wróblewski’s Painting
This article is an attempt to interpret the painting of Andrzej Wróblewski – the author of Rozstrzelania – as part of the interdisciplinary research. This is an interpretation of his painting – especially of his animal paintings – in the context of the poems of Tadeusz Różewicz, Jerzy Ficowski, and Tadeusz Śliwiak. In their poems, these authors have explored the problem of memory, the mutilation of humans and animals, but also the protection of nature and its primordial character. This combination of arts and literature can create a new methodology; it can contribute to new research on postwar painting in the context of animal studies and memory studies.
Key words: Polish poetry, postwar painting, realism, symbolism, animal studies, Andrzej Wróblewski
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6843
10.31261/NoZ.2017.03.14
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 217-232
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 217-232
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6843/4956
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6844
2021-05-05T11:04:01Z
NoZ:P
Animal Brothers: Reflection on an Ethical Way of Life (fragments) (selected and translated into Polish by Katarzyna Kończal)
Bracia zwierzęta. Rozważania o etycznym życiu (wybrane fragmenty) (wybór i tłumaczenie Katarzyna Kończal)
Kupfer‑Koberwitz, Edgar
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6844
10.31261/NoZ.2017.03.15
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 235-242
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 235-242
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6844/4957
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6845
2021-05-05T11:04:38Z
NoZ:P
Caesura, Continuity, and Myth: The Stakes of Tethering the Holocaust to German Colonial Theory (translated into Polish by Monika Żółkoś)
Cezura, ciągłość i mit. Implikacje łączenia Holokaustu z historią niemieckiego kolonializmu (tłumaczenie Monika Żółkoś)
Millet, Kitty
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6845
10.31261/NoZ.2017.03.16
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 243-261
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 243-261
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6845/4958
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6846
2021-05-05T11:05:08Z
NoZ:P
“The Mnemagogues” (1946) (translated into Polish by Paweł Wolski)
Mnemagogia (1946) (tłumaczenie Paweł Wolski)
Levi, Primo
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6846
10.31261/NoZ.2017.03.17
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 262-268
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 262-268
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6846/4959
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6847
2021-05-05T11:29:20Z
NoZ:AR
“Belittling the Monstrosity?” Lullaby in the Shadow of the Shoah
„Spieszczenie monstrualności”? Kołysanka w cieniu Zagłady
Juchniewicz, Andrzej
“Belittling the Monstrosity?”. Lullaby in the Shadow of the Shoah
The paper attempts to demonstrate the changing awareness of literary genres among the authors of Jewish descent writing in Polish and Yiddish, on the example of poetic lullabies. It is argued that although the immense popularity of this genre – among both professionals and amateurs – stems from the particular historical context, it is also connected to the emotions the lullaby evokes (as it connotes the idyllic childhood, as well as the somatic proximity with the mother) and the lack of rigid rules. Moreover, the eponymous genre intertwines with the genre indicators derived from epicedium – that is, lament – in order to make the liminal experience possible to be articulated. In the lullabies written during the times of military occupation and the extermination of the Jews, the addressee happens to be a guarantee of the continuity of the lineage; the lullaby thus unfolds its own elegiac and consoling potentialities. The authors presented in this paper reconcile the idyllic tone with the testamentary one, whereas the lullaby itself with its semantic capacity turns out to be a universal genre.
Key words: lullaby, Shoah, genre studies, addressee, testimony
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6847
10.31261/NoZ.2017.03.18
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 271-297
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 271-297
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6847/4960
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6848
2021-05-05T11:29:50Z
NoZ:AR
Woe Betide You, Murderer-Nation! Vengeance in Jicchok Kacenelson’s Wej Dir
Biada ci, narodzie‑morderco! Zemsta w wierszu Wej dir Jicchoka Kacenelsona
Koprowska, Karolina
Woe Betide You, Murderer‑Nation!Vengeance in Jicchok Kacenelson’s Wej DirThis paper investigates the conceptualisation of Jewish vengeance, as demonstrated in Jicchok Kacenelson’s Wej Dir, the poem written on the 31st of May 1942, in the Warsaw Ghetto.In the course of the reading presented, the concept of affective vengeance is introduced, that is, a figure situated between two radical forms of retaliation on the Nazi Germans present in the literary works of Jewish authors: the vengeance‑fantasy and the accomplished vengeance. The paper focuses on analysing three particular issues: the forms of vengeance (posthumous revenge of spirits and the dead, and the revenge of nature), its direct motivation, and the avenging subject with its inherent duality. This subject, as it is argued, on the one hand becomes the representative of the nation and the “avenger of blood,” while on the other – identifies itself with the nation, and turns into the collective subject.
Key words: vengeance, affect, witness, Shoah, Jicchok Kacenelson
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6848
10.31261/NoZ.2017.03.19
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 298-310
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 298-310
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6848/4961
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6849
2021-05-05T11:30:20Z
NoZ:AR
Still Inept Sounds. On the Materiality of Rutka Lakier’s Diary
Nieporadne jeszcze dźwięki. O materialności dziennika Rutki Laskier
Jasińska, Anita
Still Inept Sounds. On the Materiality of Rutka Laskier’s Diary
The author of the article endeavours to present the history of the diary of Rut “Rutka” Laskier, a Jew from Będzin, who died in Auschwitz II–Birkenau. Laskier, called the Polish Anne Frank, wrote her diary for several months in an inconsistent and irregular manner. The notebook survived the war, but the information about its discovery reached the local media in as late as 2006. Jasińska analyses the Notebook, carefully examining the issues discussed by the girl, the topics chosen by her, and the pieces of information – either described or meticulously omitted – directly concerning Christian and/or Jewish culture and tradition. The author of the article pays a lot of attention to the “materiality” of the diary, as Paweł Rodak names it. She describes the material, the medium, the writing tools, and the girl’s handwriting. Such a way of looking at the diary makes it possible to broaden the cognitive perspective and to provide interesting interpretations. Jasińska also examines the very publication of the diary and the changes accompanying it on the proofreading‑editing level. She wonders whether and how it influences the act of reading the text, the social reception of the diary entries, and the assessment and value of Rutka’s Notebook as a historical source.
Key words: Będzin, diary, Holocaust, evidence, publication
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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https://journals.us.edu.pl/index.php/NoZ/article/view/6849
10.31261/NoZ.2017.03.20
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 311-334
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 311-334
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6849/4962
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6850
2021-05-05T11:30:59Z
NoZ:D
A Suitcase Full of Manifold Paper. On Editing Leo Lipski’s Paryż ze złota…
Walizka z bibułkami. Edycja Paryża ze złota… Leo Lipskiego
Gosk, Hanna
A Suitcase Full of Manifold Paper. On Editing Leo Lipski’s Paryż ze złota…
This article is an account of the “adventure” of editing Leo Lipski’s texts, be it memoirs, and epistolary and poetic forms, which are stored in his “archive” in Tel Aviv, preserved and controlled by Łucja Gliksman, a long‑time friend of his. The material collected was eventually published by Świat Literacki as Paryż ze złota. Teksty rozproszone in 2002. The aforementioned “archive” has been stored in a worn‑out, small suitcase full of undated and nearly illegible texts typed many years before by means of the manifold paper – a faded yellowish one, or, to be precise, its snippets. Therefore, the whole task of wading through them and selecting those deserving greater attention was extremely difficult. Yet another obstacle was Łucja Gliksman herself who simultaneously allowed the editor to finish her work properly and was deciding upon erasing particular content in the book in an autocratic manner, based often on her private and intimate motivation. The article is concluded with a reflection upon the uneasy task of negotiating with the right‑holders of the dead writers’ works.
Key words: Leo Lipski, Łucja Gliksman, editing, Paryż ze złota…
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6850
10.31261/NoZ.2017.03.21
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 337-344
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 337-344
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6850/4963
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6851
2021-05-05T11:31:31Z
NoZ:D
A Reflection on the Status of the Post-camp Site on the Example of the Cable Factory in Cracow in Joanna Ringel’s Account
Refleksja o statusie miejsca‑po‑obozie na przykładzie krakowskiej Fabryki Kabli w perspektywie relacji Joanny Ringel
Wachuła, Michał
A Reflection on the Status of the Post‑camp Site on the Example of the Cable Factory in Cracow in Joanna Ringel’s Account
Referring to the theory of sites of memory and non‑sites of memory, the author of this text asks a question concerning the status of Kabelwerk – a forced labour sub‑camp located by the Cable Factory [in Polish: Fabryka Kabli] in Cracow. The researcher bases his reflections on one part of the account of Joanna Ringel – a former prisoner of this camp – which was written as a protocol of an interview. He pays attention to the character of this testimony, analysing it in the context of the term of orality. In the analytical part, the author cites the excerpts from this account and informs about the look of Kabelwerk, its living conditions, and everyday events in the camp.
Key words: site of memory, non‑site of memory, oral history, historical interview, autobiographical narration, Płaszów, Kabelwerk
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
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info:eu-repo/semantics/publishedVersion
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https://journals.us.edu.pl/index.php/NoZ/article/view/6851
10.31261/NoZ.2017.03.22
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 345-360
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 345-360
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6851/4964
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6852
2021-05-05T11:32:04Z
NoZ:D
“Rutka Is Dangerous.” On the Most Recent Novel Inspired by the Fate of the Jewish Girl from Będzin. Professor Zbigniew Białas in Conversation with Anita Jasińska
„Rutka jest niebezpieczna”. O nowo powstającej powieści inspirowanej losami będzińskiej Żydówki z Profesorem Zbigniewem Białasem rozmawia Anita Jasińska
Białas, Zbigniew
Jasińska, Anita
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6852
10.31261/NoZ.2017.03.23
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 361-365
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 361-365
2451-2133
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https://journals.us.edu.pl/index.php/NoZ/article/view/6852/4965
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6853
2021-05-05T11:32:37Z
NoZ:D
“They Went to the Forest, Straight to the Forest…” The Holocaust in Auschwitz II–Birkenau in the Memoirs of Alina Dąbrowska (compiled by Lucyna Sadzikowska)
„Oni szli do lasu, po prostu do lasu…”. Zagłada Żydów w KL Auschwitz‑ Birkenau we wspomnieniach Aliny Dąbrowskiej (opracowała Lucyna Sadzikowska)
Sadzikowska, Lucyna
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6853
10.31261/NoZ.2017.03.24
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 366-373
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 366-373
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https://journals.us.edu.pl/index.php/NoZ/article/view/6853/4966
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6854
2021-05-05T11:36:01Z
NoZ:PO
A Figurative, Figural, or Rhetorical Animal? Piotr Krupiński: “Dlaczego gęsi krzyczały?”. Zwierzęta i Zagłada w literaturze polskiej XX i XXI wieku. Warszawa, Instytut Badań Literackich PAN. Wydawnictwo, 2016, 356 pages
Zwierzę figuratywne, figuralne czy retoryczne? Piotr Krupiński: „Dlaczego gęsi krzyczały?”. Zwierzęta i Zagłada w literaturze polskiej XX i XXI wieku. Warszawa, Instytut Badań Literackich PAN. Wydawnictwo, 2016, ss. 356
Barcz, Anna
A Figurative, Figural, or Rhetorical Animal? Piotr Krupiński: „Dlaczego gęsi krzyczały?”. Zwierzęta i Zagłada w literaturze polskiej XX i XXI wieku. Warszawa, Instytut Badań Literackich PAN. Wydawnictwo, 2016, ss. 356.
The article A Figurative, Figural, or Rhetorical Animal?… is a review of Piotr Krupinski’s book “Dlaczego gęsi krzyczały?”. Zwierzęta i Zagłada w literaturze polskiej XX i XXI wieku published in 2016 by the Institute of Literary Research Publishing House in Warsaw.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6854
10.31261/NoZ.2017.03.25
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 377-385
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 377-385
2451-2133
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https://journals.us.edu.pl/index.php/NoZ/article/view/6854/4967
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6855
2021-05-05T11:36:29Z
NoZ:PO
Zoosynthesis, or a Strong Weak Subject. Anna Barcz: Realizm ekologiczny. Od ekokrytyki do zookrytyki w literaturze polskiej. Katowice, Wydawnictwo Naukowe Śląsk, 2016, 365 pages
Zoosynteza, czyli mocny słaby podmiot. Anna Barcz: Realizm ekologiczny. Od ekokrytyki do zookrytyki w literaturze polskiej. Katowice, Wydawnictwo Naukowe „Śląsk”, 2016, ss. 365
Krupiński, Piotr
Zoosynthesis, or a Strong Weak Subject. Anna Barcz: Realizm ekologiczny. Od ekokrytyki do zookrytyki w literaturze polskiej. Katowice, Wydawnictwo Naukowe „Śląsk”, 2016, ss. 365.
This article is a review of – or, to be more precise, an attempt to critically discuss – Anna Barcz’s monograph Realizm ekologiczny. Od ekokrytyki do zookrytyki w literaturze polskiej. This vast work is entirely focused on tracing ecocritical and pre‑ecocritical contexts in Polish literature, and thereby it offers the readers a new look at the canon of Polish modern literature. Yet, the value of Anna Barcz’s monograph lies in something more. This book successfully implants new directions of the literary studies (mainly from the Anglo‑American humanities), showing the usefulness of ecocriticism and zoocriticism as the tools that help understand more fully not only texts of culture but also the surrounding world: the world within which the human “I” does not have to be the only source of experience.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6855
10.31261/NoZ.2017.03.26
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 386-392
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 386-392
2451-2133
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https://journals.us.edu.pl/index.php/NoZ/article/view/6855/4968
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6856
2021-05-05T11:37:00Z
NoZ:PO
The Holocaust of the Garden – The Garden of the Holocaust? Antony Lishak: Stars: A Story of Friendship, Courage and Small, Precious Victories. [no place], Acorn Digital Press, 2014, 279 pages
Zagłada ogrodu – ogród Zagłady? Antony Lishak: Stars: A Story of Friendship, Courage and Small, Precious Victories. [no place], Acorn Digital Press, 2014, pp. 279
Staroniewska‑Wątróbska, Anna
The Holocaust of the Garden – The Garden of the Holocaust? Antony Lishak: Stars: A Story of Friendship, Courage, and Small, Precious Victories. [no place], Acorn Digital Press, 2014, pp. 279.In her review, the author makes an attempt of an analysis of Antony Lishak’s novel – Stars… – from a post‑anthropocentric perspective. The book of a British writer, addressed to a young reader, is shown in the background of other literary and movie works inspired by the remarkable history of the Warsaw Zoo and its inhabitants during the Second World War, such as: Ludzie i zwierzęta by Antonina Żabińska, The Zookeeeper’s Wife by Diane Ackerman and a movie with the same title directed by Niki Caro, or Arka Czasu… by Marcin Szczygielski. Among these works is the autobiography of Antonina Żabińska, the wife of the director of the zoo, who on the pages of Ludzie i zwierzęta outlined the truly subjective portraits of animals, ahead of the theoretical concepts of ecophilosophers and ecocritics. By means of constructing parallel images of suffering (people in a ghetto and animals in the zoo) as well as the empathetic attitude of Stars’ child heroes, Antony Lishak seems to follow the path of Antonina Żabińska in his novel; however, the inconsistencies indicated by the author in the structure of narration cause the demands of posthumanism, surprisingly close to the child’s perspective, being unfulfilled. In a narrative project of consolation, the comfort is achieved only on the anthropocentric plane.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6856
10.31261/NoZ.2017.03.27
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 393-403
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 393-403
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https://journals.us.edu.pl/index.php/NoZ/article/view/6856/4969
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6857
2021-05-05T11:37:33Z
NoZ:PO
Emotions and Conventions. On Narrations of the Holocaust Victims and Their Children. Beata Przymuszała: Smugi Zagłady. Emocjonalne i konwencjonalne aspekty tekstów ofiar i ich dzieci. Poznań, Wydawnictwo Naukowe UAM, 2016, 369 pages
Emocje i konwencje – rzecz o narracjach ofiar Zagłady i ich dzieci. Beata Przymuszała: Smugi Zagłady. Emocjonalne i konwencjonalne aspekty tekstów ofiar i ich dzieci. Poznań, Wydawnictwo Naukowe UAM, 2016, ss. 369
Czyżak, Agnieszka
Emotions and Conventions. On Narrations of the Holocaust Victims and Their Children Beata Przymuszała: Smugi Zagłady. Emocjonalne i konwencjonalne aspekty tekstów ofiar i ich dzieci. Poznań, Wydawnictwo Naukowe UAM, 2016, ss. 369.
The review is devoted to a book Smugi Zagłady. Emocjonalne i konwencjonalne aspekty tekstów ofiar i ich dzieci, written by Beata Przymuszała. Trails of the Holocaust, mentioned in the title, evoke a blurred, unclear image that is permanently present even though it can at times go unnoticed for various reasons. Particular chapters present a variety of aspects and degrees of this presence. The author takes up the problem of the wounded Jewish identity, explains why Holocaust literature did not reject the conventional means of expression, and analyses various approaches to trauma. The interpretations draw attention to the issue of intense affective components of texts and the means which let the experiences be expressed.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6857
10.31261/NoZ.2017.03.28
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 404-407
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 404-407
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pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6857/4970
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6858
2021-05-05T11:38:07Z
NoZ:PO
Stiches and Tacks. Mirosław Tryczyk: Miasta śmierci. Sąsiedzkie pogromy Żydów. Warszawa, Wydawnictwo RM, 2015, 499 pages
Ściegi i fastrygi. Mirosław Tryczyk: Miasta śmierci. Sąsiedzkie pogromy Żydów. Warszawa, Wydawnictwo RM, 2015, ss. 499
Kuczyńska‑Koschany, Katarzyna
Stiches and Tacks. Mirosław Tryczyk: Miasta śmierci. Sąsiedzkie pogromy Żydów. Warszawa, Wydawnictwo RM, 2015, ss. 499.The purpose of this paper, a context‑oriented presentation of Mirosław Tryczyk Miasta śmierci. Sąsiedzkie pogromy Żydów, is twofold. Firstly, it endeavours to collect and classify various responses the reviewed book has provoked: reviews, polemics, and criticism. Secondly, it proposes its own reading granting Tryczyk with the authorial right to present his own, even if diverging, type of narration. Moreover, it includes the traces of the post‑Holocaust slips of the tongue, significant and eye‑opening themselves (“And I have fled from the porch to life” [the homonym “życie” might mean both “rye” and “life,” although in different grammatical cases]). Finally, it refers to the cover and its significance, and the “excess” of death, repetitions, which deprive of hope and overwhelm the reader.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6858
10.31261/NoZ.2017.03.29
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 408-415
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 408-415
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https://journals.us.edu.pl/index.php/NoZ/article/view/6858/4971
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6859
2021-05-05T11:38:38Z
NoZ:PO
The Camps of Terror. Wolfgang Sofsky: Ustrój terroru: obóz koncentracyjny. Trans. Małgorzata Łukasiewicz. Warszawa, Żydowski Instytut Historyczny im. Emanuela Ringelbluma, 2016, 383 pages
Kolonie terroru. Wolfgang Sofsky: Ustrój terroru: obóz koncentracyjny. Przeł. Małgorzata Łukasiewicz. Warszawa, Żydowski Instytut Historyczny im. Emanuela Ringelbluma, 2016, ss. 383
Jankowska, Agata
The Camps of Terror. Wolfgang Sofsky: Ustrój terroru: obóz koncentracyjny. Przeł. Małgorzata Łukasiewicz. Warszawa, Żydowski Instytut Historyczny im. Emanuela Ringelbluma, 2016, ss. 383.The review discusses the historically and sociologically significant work of a German scholar Wolfgang Sofsky. This is the first Polish translation of the book, which had a great influence on other thinkers tackling the questions of totalitarianisms, concentration camps, and Nazi genocide. While discussing the scope of issues undertaken by Sofsky, the author of the review focuses on the threads most often emphasised by the German scholar, such as: the organisation of the social structure within the concentration camp, the relations between the authorities and the prisoners, or the functioning of the individual within the system Sofsky describes as absolute. The sociologist turns to the social structure of the camp, that is, the prison hierarchy constructed in such a way that reverses any social order. Sofsky sees in the camp a sui generis experiment conducted by the Nazis on the human and social tissues, as a result of which a deep change within the human and his/her condition occurred. The author pays attention to the organisation of time and space of the camp, which is discussed in detail by the German sociologist. What happened in the camp – according to Sofsky – was the characteristic reversal of social roles and interpersonal relations. The examples of the new order are, among others, the power granted to prisoner functionaries by the Nazis or work that was not a manufacturing process but only one of the tools of terror and physical destruction.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6859
10.31261/NoZ.2017.03.30
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 416-421
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 416-421
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https://journals.us.edu.pl/index.php/NoZ/article/view/6859/4972
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6860
2021-05-05T11:39:08Z
NoZ:PO
Nazi Camp Speaking… Sur-vivors Have Voice. Agnieszka Dauksza: Klub Auschwitz i inne kluby. Rwane opowieści przeżywców. Gdańsk, słowo/obraz terytoria, 2016, 380 pages
Tu mówi lager… Przeżywcy mają głos. Agnieszka Dauksza: Klub Auschwitz i inne kluby. Rwane opowieści przeżywców. Gdańsk, słowo/obraz terytoria, 2016, ss. 380
Różański, Marcin
Nazi Camp Speaking… Sur‑vivors Have Voice. Agnieszka Dauksza: Klub Auschwitz i inne kluby. Rwane opowieści przeżywców. Gdańsk, słowo/obraz terytoria, 2016, ss. 380.
Nazi Camp Speaking… is a review of Agnieszka Dauksza’s Klub Auschwitz i inne kluby. Rwane opowieści przeżywców. The book was published in Gdańsk in 2016. It stems from the interviews with ten former prisoners of Nazi German concentration camps. These conversations embrace a rather long time span, including the pre‑war times, then the period between 1939 and 1945, and finally present times. The reader is thus provided with the panoramic view on the character’s fates, who are being persistently dubbed as “sur‑vivors,” since they endured the reality of Nazi camps. Currently, these people form a dwindling and hermetic group, whose members struggle with their everyday lives and seek their place in the contemporary society, which – if one keeps in mind their experience of the wartime – is tremendously difficult.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6860
10.31261/NoZ.2017.03.31
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 422-430
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 422-430
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https://journals.us.edu.pl/index.php/NoZ/article/view/6860/4973
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6861
2021-05-05T11:39:40Z
NoZ:PO
“A Try for Completeness.” Sławomir Buryła: Wokół Zagłady. Szkice o literaturze Holokaustu. Kraków, Towarzystwo Autorów i Wydawców Prac Naukowych UNIVERSITAS, 2016, 365 pages
„Próba całości”. Sławomir Buryła: Wokół Zagłady. Szkice o literaturze Holokaustu. Kraków, Towarzystwo Autorów i Wydawców Prac Naukowych UNIVERSITAS, 2016, ss. 365
Juchniewicz, Andrzej
“A Try for Completeness”. Sławomir Buryła: Wokół Zagłady. Szkice o literaturze Holokaustu. Kraków, Towarzystwo Autorów i Wydawców Prac Naukowych UNIVERSITAS, 2016, ss. 365.
The purpose of this review is to discuss the issues presented in Sławomir Buryła’s book, which are selected and clustered with regard to the diachronic and biographical perspectives, and originate in the readings of novels which have been artistically discredited, forgotten, and underrated. The review praises the meticulous register of sources used and the micrological approach adopted in the second part of the work, which also aims at reconstructing the biographies of the authors not included in the canon of Holocaust literature. The compendium of literary representations of the Shoah, which Buryła establishes in his book, indicates the incapacity of creating unconventional plots which – supported by the idiom of the author – would have allowed writers to articulate accurate judgements about the reality of the Holocaust, diverging from the accepted ethical norms. Moreover, the review emphasises the influence of poet(h)ics on the critical readings of both non‑fiction and fiction. Buryła, disputing the decisions of the authors related to the “forbidden representation,” points to the hegemony of popular culture which devalues the experience of the Shoah and makes the reflection upon marginality, liminality, and the ambivalent ethical choices impossible. Instead, he acknowledges the literary motifs derived from the works beyond mainstream and those which reside on the very limits of the canon: the narcissist and tasteless narrations treating the Holocaust as a pretext and a secondary issue. Finally, the review also notes the synthetic manner in which Buryła aims at classifying the threads and motifs of the Shoah, and establishing its undistorted, monumental, and complete image.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6861
10.31261/NoZ.2017.03.32
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 431-444
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 431-444
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https://journals.us.edu.pl/index.php/NoZ/article/view/6861/4974
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6862
2021-05-05T11:40:11Z
NoZ:V
Between Open and Closed Doors. A Report from the “Cosmopolitism, Modernism & Judaism” International Symposium with the Participation of Zygmunt Bauman, Stockholm, 15 May 2016
Pomiędzy otwartymi a zamkniętymi drzwiami. Sprawozdanie z międzynarodowego sympozjum „Cosmopolitism, Modernism & Judaism” z udziałem Zygmunta Baumana, Sztokholm, 15 maja 2016 roku
Pawlak, Zuzanna
Lodziński, Jan
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6862
10.31261/NoZ.2017.03.33
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 447-451
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 447-451
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https://journals.us.edu.pl/index.php/NoZ/article/view/6862/4975
Copyright (c) 2019 Narracje o Zagładzie
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oai:ojs.www.journals.us.edu.pl:article/6863
2021-05-05T11:40:43Z
NoZ:N
Biographical notes
Noty o Autorach
NoZ, Redakcja
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6863
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah; 453-460
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada; 453-460
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6863/4976
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/6864
2021-05-05T10:37:22Z
NoZ:CN
Full issue
Cały numer
NoZ, Redakcja
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2017-12-29
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/6864
Narracje o Zagładzie [Narrations of the Shoah]; No 3 (2017): Narrations of the Shoah 2017, no. 3: Animals/Shoah
Narracje o Zagładzie; Nr 3 (2017): Narracje o Zagładzie 2017, nr 3: Zwierzęta/Zagłada
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/6864/4977
Copyright (c) 2019 Narracje o Zagładzie
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/7874
2021-05-05T11:48:14Z
NoZ:W
Israeli narrations of the Shoah
Izraelskie narracje o Zagładzie
Budzik, Jagoda
Krupa, Bartłomiej
Introduction to the fourth issue of the journal "Narracje o Zagładzie"
Wstęp do czwartego numeru czasopisma "Narracje o Zagładzie".
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2018-11-03
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/7874
10.31261/NoZ.2018.04.01
Narracje o Zagładzie [Narrations of the Shoah]; No 4 (2018): Narrations of the Shoah 2018, no. 4: Israeli narrations of the Shoah; 7-11
Narracje o Zagładzie; Nr 4 (2018): Narracje o Zagładzie 2018, nr 4: Izraelskie narracje o Zagładzie; 7-11
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/7874/6018
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/7876
2021-05-05T11:50:27Z
NoZ:InoZ
“Life Is There, but Here – This Is Rather Non-life.” On Hebrew Literature of the Shoah. Piotr Paziński in Conversation with Jagoda Budzik and Bartłomiej Krupa
„Tam jest życie, a tu już jakby nie‑życie”. Z Piotrem Pazińskim o hebrajskiej literaturze Zagłady rozmawiają Jagoda Budzik i Bartłomiej Krupa
Paziński, Piotr
Budzik, Jagoda
Krupa, Bartłomiej
„Tam jest życie, a tu już jakby nie‑życie”. Z Piotrem Pazińskim o hebrajskiej literaturze Zagłady rozmawiają Jagoda Budzik i Bartłomiej Krupa
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2018-11-03
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/7876
10.31261/NoZ.2018.04.02
Narracje o Zagładzie [Narrations of the Shoah]; No 4 (2018): Narrations of the Shoah 2018, no. 4: Israeli narrations of the Shoah; 15-40
Narracje o Zagładzie; Nr 4 (2018): Narracje o Zagładzie 2018, nr 4: Izraelskie narracje o Zagładzie; 15-40
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/7876/6019
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/7877
2021-05-05T11:50:40Z
NoZ:InoZ
“It Is Hard to Find Anything Better.” On Polish-Israeli Weaves of Memory of the Shoah. Shoshana Ronen in Conversation with Jagoda Budzik and Bartłomiej Krupa
„Trudno znaleźć coś lepszego”. O polsko‑izraelskich splotach pamięci o Zagładzie z Shoshaną Ronen rozmawiają Jagoda Budzik i Bartłomiej Krupa
Ronen, Shoshana
Budzik, Jagoda
Krupa, Bartłomiej
„Trudno znaleźć coś lepszego”. O polsko‑izraelskich splotach pamięci o Zagładzie z Shoshaną Ronen rozmawiają Jagoda Budzik i Bartłomiej Krupa
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2018-11-03
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/7877
10.31261/NoZ.2018.04.03
Narracje o Zagładzie [Narrations of the Shoah]; No 4 (2018): Narrations of the Shoah 2018, no. 4: Israeli narrations of the Shoah; 41-54
Narracje o Zagładzie; Nr 4 (2018): Narracje o Zagładzie 2018, nr 4: Izraelskie narracje o Zagładzie; 41-54
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/7877/6020
http://creativecommons.org/licenses/by-sa/4.0
oai:ojs.www.journals.us.edu.pl:article/7878
2021-05-05T11:50:57Z
NoZ:InoZ
Mi-Szoa li-tkuma. Poland as an Antinomy of Israel
„Mi‑ Szoa li‑tkuma”. Polska jako antynomia Izraela
Budzik, Jagoda
The aim of the article is to present and analyse texts whose authors – members of the Israeli Third Generation – refer in various ways to the phenomenon of pilgrimages to the memorial sites, attended by high school students for more than three decades. This phenomenon involves such questions as: the role of the Shoah in the Israeli collective narrative, the level of its institutional commemoration, relations between the act of memorialising the Holocaust and military activities, and lasting confidence in the experience of pilgrimage to Poland as part of the process of the Israeli youth’s coming of age. The texts included in these reflections are used to portray the multiplicity of possible attitudes adopted by authors towards such methods of commemorating the Shoah – from unconditional acceptance, through the belief in their inevitability, to outright criticism.
Celem artykułu jest zaprezentowanie i analiza tekstów, których twórcy – przedstawiciele izraelskiego trzeciego pokolenia – na różne sposoby odwołują się do zjawiska pielgrzymek do miejsc pamięci, odbywanych przez młodzież licealną od przeszło trzech dekad. Zjawisko to skupia w sobie kwestie takie jak: rola Zagłady w izraelskiej narracji zbiorowej, stopień jej instytucjonalnego upamiętniania, częste związki między upamiętnianiem Szoa a wątkami militarnymi i trwałym wpisaniem doświadczenia pielgrzymki do Polski w proces dojrzewania izraelskiej młodzieży. Teksty włączone do rozważań mają za zadanie unaocznić wielość możliwych postaw przyjmowanych przez twórców wobec takich metod upamiętniania Szoa – od bezwarunkowej ich akceptacji, przez przekonanie o ich nieuchronności, aż po zdecydowaną krytykę.
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press
2018-11-03
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://journals.us.edu.pl/index.php/NoZ/article/view/7878
10.31261/NoZ.2018.04.04
Narracje o Zagładzie [Narrations of the Shoah]; No 4 (2018): Narrations of the Shoah 2018, no. 4: Israeli narrations of the Shoah; 55-66
Narracje o Zagładzie; Nr 4 (2018): Narracje o Zagładzie 2018, nr 4: Izraelskie narracje o Zagładzie; 55-66
2451-2133
2450-4424
pol
https://journals.us.edu.pl/index.php/NoZ/article/view/7878/6021
http://creativecommons.org/licenses/by-sa/4.0
684d91e1ea3091778985d409cc8d8d2a