Review of International American Studies; Hemispheric American Studies, North American Studies, US Studies, Canadian Studies, Transatlantic studies, Transpacific studies, Latin American Studies, Chicano/Chicana Studies, Native American Studies, First Nations Studies, Literary Studies, American Literature, American Culture, International American Studies Association, Learned journal, academic journal, University of Silesia Press

Modes and Moves of Protest

Crowds and Mobs in Nathan Hill's <i>The Nix</i>

Nicola Paladin
https://orcid.org/0000-0001-5672-5869

Abstract

The role of mass protest has been recurrently central yet controversial in the American culture. Central because American history presents a constellation of significant collective protest movements, very different among them but generally symptomatic of a contrast between the people and the state: from the 1775 Boston Massacre and the 1787 Shays’s Rebellion, to the 1863 Draft Riots, but also considering the 1917 Houston Riot or anti-Vietnam war pacifist protests. Controversial, since despite—or because of—its historical persistence, American mass protest has generated a media bias which labelled mobs and crowds as a disruptive popular expression, thus constructing an opposition—practical and rhetorical—between popular subversive tensions, and the so-called middle class “conservative” and self-preserving struggle.
     During the 20th century, this scenario was significantly influenced by 1968. “The sixties [we]re not fictional”, Stephen King claims in Hearts of Atlantis (1999), in fact “they actually happened”, and had a strong impact on the American culture of protest to the point that their legacy has spread into the post 9/11 era manifestations of dissent. Yet, in the light of this evolution, I believe the very perception of protesting crowds has transformed, producing a narrative in which collectivity functions both as “perpetrator” and “victim”, unlike in the traditional dichotomy. Hence, my purpose is to demonstrate the emergence of this new and historically peculiar connotation of crowds and mobs in America as a result of recent reinterpretations of the history and practice of protest in the 1960s, namely re-thinking the tropes of protest movements of those years, and relocating them in contemporary forms of protest. For this reason, I will concentrate on Nathan Hill’s recent novel, The Nix (2016), and focus on the constant dialogue it establishes between the 1968 modes of protest and the Occupy movement.


Keywords

mobs; crowds; American literature; The Nix; Nathan Hill; mass protest; dissent

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Published : 2019-12-23


Paladin, N. (2019). Modes and Moves of Protest. Review of International American Studies, 12(2), 103-118. https://doi.org/10.31261/rias.7376

Nicola Paladin  nicolapaladin1989@gmail.com
“G. D’Annunzio” University at Chieti-Pescara  Italy
https://orcid.org/0000-0001-5672-5869

Nicola Paladin teaches Anglo-American literature at the University “G. D’Annunzio” Chieti-Pescara. He holds a Ph.D from “Sapienza” University of Rome and was a visiting scholar at the University of Illinois at Urbana-Champaign. His research interests include Early and 19th century American literature and War studies. He has published essays on Thomas Paine, Hugh H. Brackenridge, Nathaniel Hawthorne, and Herman Melville among others. He is currently working on a book on the multilayered imaginary of the American Revolution in 19th century US literature.






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