Tropaions as L. Cornelius Sulla’s means of self-presentation


Abstract

This text focuses on the use of trophies (tropaions) in the politics of Lucius Cornelius Sulla. It first of all draws attention to the monuments built after the victorious Battle of Chaeronea and Orchomenos in 86 BC. What is analyzed and discussed are numerous controversies pertaining to the trophy remnants found on Turion Hill. Then the article focuses on coins bearing the image of trophies following the leader’s initiative, which was supposed to symbolize the continuity of his military successes in Greece and Italy. Yet, the said motifs do not only related to the numismatic material, since Sulla also used it in his signet rings. Particularly important in this case is the one presenting the captured Jugurtha, probably modeled on the monument on the Capitolium, which became the bone of contention between Sulla and Gaius Marius.


Keywords

trophies; Sulla; symbol of the political authority; propaganda

Astin E., Scipio Aemilianus, Oxford 1967.

Assenmaker P., De la victoire au pouvoir: développement et manifestations de l’idéologie impératoriale à l’époque de Marius et Sylla, Bruxelles 2014.

Badian E., Sulla’s Augurate, „Arethusa” 1968, vol. 1, s. 26—46.

Beard M., The Roman Triumph, London 2007.

Broughton T.R.S., The Magistrates of the Roman Republic, vol. 2, New York 1952.

Camp J. et al., A Trophy from the Battle of Cheroneia of 86 B.C., „American Journal of Archaeology” 1992, vol. 96, s. 443—455.

Castellvi G., Les trophées-tours romains: permanence et evolutions des trophées de bataille, du IIe s. av. J.-C. au IIe s. apr. J.-C., w: Colonne Trajane et trophées romains, recueillis et publiés par C. Petolescu, M. Galinier, F. Matei-Popescu, Bucarest 2015, s. 207—258.

Davies P., Architecture and Politics in Republican Rome, Cambridge 2017.

Eckert A., Lucius Cornelius Sulla in der antiken Erinnerung, Berlin—Boston 2016.

Fears J.R., Princeps a diis electus: the Divine Election of the Emperor as a Political Concept at Rome, Rome 1977.

Fears J.R., The Theology of Victory in Rome: Approaches and Problems, w: Aufstieg und Niedergang der römischen Welt, T. 2, Bd. 17, Teil 2, Hrsg. H. Temporini, V. Haase, Berlin—New York 1981, s. 736—826.

Frier B., Augural Symbolism in Sulla’s Invasion of 83, „Museum Notes” [American Numismatic Society] 1967, vol. 13, s. 111—118.

Gansiniec Z., Geneza tropaionu, Wrocław—Warszawa 1955.

Havener W., Tropaion. The Battlefield Trophy in Ancient Greece and Rome, w: Societies at War, eds. K. Ruffing et al., Wien 2020, s. 267—292.

Hölkeskamp E., Marius, Sulla and the War over Monumental Memory and Public Space, w: Memory in Ancient Rome and Early Christianity, ed. K. Galinsky, Oxford 2015, s. 214—234.

Hölscher T., Römische Siegesdenkmäler der späten Republik, w: Taina. Roland Hampe zum 70. Geburtstag am 2. Dezember 1978 dargebracht, Hrsg. H.A. Cahn, E. Simon, Mainz 1980, s. 351—371.

Hölscher T., The Transformation of Victory into Power: From Event to Structure, w: Representations of War in Ancient Rome, eds. S. Dillon, K. Welch, Cambridge 2006, s. 27—48.

Itgenshorst T., Tota Illa Pompa: Der Triumph in der römischen Republik: Katalog der Triumphe von 340 bis 19 vor Christus, Göttingen 2005.

Kalliontzis Y., Digging in Storerooms for Inscriptions: An Unpublished Casualty List from Plataia in the Museum of Thebes and the Memory of War in Boeotia, w: The Epigraphy and History of Boeotia, ed. N. Papazarkadas, Leiden 2014, s. 332—372.

Kalliontzis Y., Le trophée de Sylla à Chéronée, w: La Béotie de l’archaïsme à l’époque romaine: Frontières, territoires, paysages, éds. T. Lucas, Ch. Müller, Paris 2019, s. 179—196.

Keaveney A., Sulla. Ostatni republikanin, przeł. T. Ładoń, Oświęcim 2017.

Kinnee L., The Greek and Roman Trophy: from Battlefield Marker to Icon of Power, London—New York 2018.

Kopij K., Auctoritas et dignitas. Studium prestiżu i propagandy w okresie później Republiki Rzymskiej na przykładzie rodu Pompejusza (gens Pompeia Magna) w świetle źródeł archeologicznych i pisanych, Kraków 2017.

Kountouri E., Petrochilos N., Zoumbaki S., The Tropaion of Sulla over Mithridates VI Eupator: A First Approach, w: What’s New in Roman Greece?, eds. V. Di Napoli et al., Athens 2018, s. 359—368.

Mackay Ch., Sulla and the Monuments: Studies in His Public Persona, „Historia: Zeitschrift für Alte Geschichte” 2000, Bd. 49, s. 161—210.

Magnisali M., Bilis T., Restoring an Ancient Landmark — Theoretical and Structural Issues: The Case Study of Sulla’s Trophy in Orchomenos, Boeotia, Greece, w: 10th International Symposium on the Conservation of Monuments in the Mediterranean Basin, eds. M. Koui, F. Zezza, D. Kouis, Cham [Switzerland] 2018, s. 635—642.

Majbom Madsen J., From Trophy Towns to City-States Urban Civilization and Cultural Identities in Roman Pontus, Pennsylvania 2020.

Morawiecki L., Pontificalia atque auguralia insignia and the Political Propaganda in the Coinage of the Roman Republic, „Zapiski Numizmatyczne” 1996, t. 1, s. 37—57.

Picard G.Ch., Les trophées romains. Contributions à l’histoire de la religion et de l’art triomphal de Rome, Paris 1957.

Rabe B., Tropaia τροπή und σκῦλα: Entstehung, Funktion und Bedeutung des griechischen Tropaions, Rahde 2007.

Santangelo F., Sulla, the Elites and the Empire: A Study of Roman Policies in Italy and the Greek East, Leiden 2006.

Schmuhl Y., Römische Siegesmonumente republikanischer Zeit. Untersuchungen zu Ursprüngen, Erscheinungsformen und Denkmalpolitik, Hamburg 2008.

Stroszeck J., Greek Trophy Monuments, w: Myth and Symbol II. Symbolic Phenomena in Ancient Greek Culture, ed. S. Des Bouvrie, Bergen 2004, s. 303—331.

Thein A., Booty in the Sullan Civil War of 83—82 B.C., „Historia: Zeitschrift für Alte Geschichte” 2016, Bd. 65, s. 450—472.

West W.C., The Trophies of the Persian Wars, „Classical Philology” 1969, vol. 64, s. 7—19.

Woelcke K., Beiträge zur Geschichte des Tropaions, „Bonner Jahrbücher” 1911, vol. 120, s. 127—235.

Zoumbaki S., Sulla’s Relations with the Poleis of Central and Southern Greece in a Period of Transitions, w: Sulla Politics and Reception, eds. A. Eckert, A. Thein, Berlin—Boston 2019, s. 33—54.


Published : 2022-12-08


JarychA. (2022). Tropaions as L. Cornelius Sulla’s means of self-presentation. Wieki Stare I Nowe, 17(22), 1-18. https://doi.org/10.31261/WSN.2022.22.10

Adam Jakub Jarych  adamjarych@yahoo.pl
Adam Mickiewicz University in Poznan  Poland
https://orcid.org/0000-0002-6538-9956




Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

The Copyright Owners of the submitted texts grant the Reader the right to use the pdf documents under the provisions of the Creative Commons 4.0 International License: Attribution-Share-Alike (CC BY-SA). The user can copy and redistribute the material in any medium or format and remix, transform, and build upon the material for any purpose.

1. License

The University of Silesia Press provides immediate open access to journal’s content under the Creative Commons BY-SA 4.0 license (http://creativecommons.org/licenses/by-sa/4.0/). Authors who publish with this journal retain all copyrights and agree to the terms of the above-mentioned CC BY-SA 4.0 license.

2. Author’s Warranties

The author warrants that the article is original, written by stated author/s, has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author/s.

If the article contains illustrative material (drawings, photos, graphs, maps), the author declares that the said works are of his authorship, they do not infringe the rights of the third party (including personal rights, i.a. the authorization to reproduce physical likeness) and the author holds exclusive proprietary copyrights. The author publishes the above works as part of the article under the licence "Creative Commons Attribution-ShareAlike 4.0 International".

ATTENTION! When the legal situation of the illustrative material has not been determined and the necessary consent has not been granted by the proprietary copyrights holders, the submitted material will not be accepted for editorial process. At the same time the author takes full responsibility for providing false data (this also regards covering the costs incurred by the University of Silesia Press and financial claims of the third party).

3. User Rights

Under the CC BY-SA 4.0 license, the users are free to share (copy, distribute and transmit the contribution) and adapt (remix, transform, and build upon the material) the article for any purpose, provided they attribute the contribution in the manner specified by the author or licensor.

4. Co-Authorship

If the article was prepared jointly with other authors, the signatory of this form warrants that he/she has been authorized by all co-authors to sign this agreement on their behalf, and agrees to inform his/her co-authors of the terms of this agreement.

I hereby declare that in the event of withdrawal of the text from the publishing process or submitting it to another publisher without agreement from the editorial office, I agree to cover all costs incurred by the University of Silesia in connection with my application.